Not so much horror, but I got some fantasy and historical in mine. Guaranteed no isekai, no fanfic, no overpowered MCs. I'm a bit new though so my work's only got a few chapters, but you can check it out you like. May your search be fruitful!
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To whom it may concern up above, please heed my humble complaint: I am currently being haunted by an angel.
Nice opening.
“Do you intend to let her drag you around like that forever?” sneers a low voice.
Is this the angel? Not immediately clear.
This ghostly pestering has gone on for days without a single break, not stopping even for a second.
I'm wondering why she doesn't acknowledge him or respond? What does she gain by staying silent?
In all my 21 years of existence, I have never faced a more formidable threat. Yet, I will persist.
I, Belle Ruth, refuse to be taken down by a mere hallucination!
I don't love how clunky this exposition is.
During the first couple days, that would have made me shiver, fearing that I had angered a real supernatural entity. Now, I just sigh.
I'd like more internal detail on what's prompted this change.
“Look at you—used to my presence already! Hah! That’s right, I knew you were special from the start, much better than that rude servant girl, that’s for sure.” cackles the angel.
End the dialogue with comma rather than a full stop.
He’s wrong, by the way.
I am a servant girl.
He said "that rude servant girl" which made it sound like he was referring to a specific servant girl, not that Belle Ruth isn't a servant girl as well.
Why did I not refuse even though she bold-faced lied?
Normally the phrase is "bold-faced lie", so a noun rather than a verb. You could keep this if it fits with other eccentricities of the character's speech, otherwise I'd change it.
A wave of wind tickles my cheek and bites my exposed neck.
"Tickles" implies softness but "bites" is harsh.
“Never meant to, dear.” he responds, “It'll take time, that’s all.”
Should be formatted thusly:
“Never meant to, dear,” he responds. “It'll take time, that’s all.”
A woman with ivory eyes stares listlessly, cheeks pale and lips chapped. A few short strands of pitch black peak out the sides of her white bonnet. Her face, though strained and weary from tireless labour and thankless effort, could not be considered ugly, but it would be laughable to call it beautiful.
Average.
Just average is what I’d describe the woman in my reflection.
I don't love this. This feels like you, the author, describing the character, rather than a person looking at themselves.
The grey-eyed woman fades away.
Earlier you described her as having ivory eyes; ivory is white.
As my knuckles graze against the ice cold water, a chill flashes through my veins.
Why's she washing clothes in cold water? Wouldn't she boil or at least heat the water first?
So, he’s Aca now.
Initially, I suggested the name, Apoka, short for apocalypse, but he hated that. Said it sounded like the annoying rooster he heard earlier in the morning. In the end, we went with a more roundabout approach.
Earlier it made it sound like she's been ignoring him since he arrived, but now it's clear that's not the case. And if she's already given him a name, why wouldn't she be using that name in her internal thoughts when thinking about him?
“I thought you’d never ask!” He cheers gleefully. “Indeed, that is a good question.”
Small letter to begin the dialogue tag.
“…What? Oh my goodness, are you serious?” I sigh, “how do you not—”
Full stop to end the tag.
given that I talk to an angel every day whose mission is to use me to save the world.
This makes it sound like the talking to an angel has been going on for a long time, rather than three days.
I’d recognize those brown braids any day.
But not her face?
“No, no.” I reject. “Why would you do that?"
Comma to end the dialogue. I'd suggest finding another verb other than "reject" as it doesn't sound right in this context.
“Plus,” she turns the faucet off and looks directly at me, “I’m grateful, but you don’t have to keep treating me like a kid. I can handle myself just fine,”
Stella smiles, “I’m already eighteen after all.”
Generally speaking, keep a speaker's actions and dialogue on the same paragraph. Start a new paragraph with a new speaker.
This felt like a good start. I'd like more detail about Belle's internal world, and less self-consciousness in the writing, but this is good.