Well, I've read three of your chapters, dude. I've also read reviews of your work from other reviewers, both positive and negative.
My impression is that, overall, you have a good ability to narrate the atmosphere of the story. You can draw me, the reader, into your world through sensory details. This can be considered a narrative strength.
Now, let me explain the shortcomings of your narrative. The chapters I read use first POV. In first POV, all information is supposed to be subjective, based on the experience of the narrator (the "I" character).
But here's the problem: your chapters often suffer from
POV leaks, where the first POV often shifts to omniscient POV. I'll quote the chapter below. Notice how your protagonist fights:
Before anyone could blink—SNAP.
A sharp twist of my wrist. A blur.
The Butcher’s neck turned violently to the side — not broken, but enough to end the fight. His eyes rolled back, body going limp before crashing to the floor.
Silence swallowed the pit.
The crowd stood frozen, unsure whether to cheer or scream. Even the announcer’s mic crackled with hesitation.
I lowered my hand slowly. My breath came steady.
He is twisted and his vision is blurry. However, what happens in your narrative?
The narrative actually provides a fairly objective depiction. The narrator accurately describes the atmosphere on the battlefield: the conditions of the audience, the opponent, and the host.
This narrative couldn't possibly be narrated by a protagonist in shock after a fight. It's more like the author's voice trying to explain the plot.
This is what ultimately makes your character feel bland. Why?
Because in the first POV, the experience should be subjective and emotional. The advantage of the first POV is that it immerses the reader in the character's body.
The narrative distance between the reader and the character should be zero, so the reader will experience the same emotional reactions as the "I" character in the story.
However, when the POV shifts to an omniscient POV, the reader is forced to be removed from the character's body and become a cold, objective outside observer.
As a result,
immersion is broken, and the tension is lost. The reader feels like they've lost their connection to your character. That's why causal readers comment, "Your character feels bland." That makes sense.
So, my suggestion is to
be more rigorous in your first POV narration. Try writing from the mind of a
character who lives in the
present moment in their world.
Reduce meta-comments explaining the world, other characters, and the plot.
Let your character interact with the environment and act organically.
This way, your character will feel more alive in the present moment, rather than just a storyteller.
Alternatively, given your atmospheric narration skills, you might consider switching from the first POV to a
limited third POV.
This way, you can depict both the environment and the character without worrying about POV leakage.
You just have to write a narrative objectively and intimately, like a camera following the journey of a single protagonist.
Well, that's a little feedback from me.
Regards.