What's the best and worst feedback you've ever received as an author?

MFontana

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The best?

When @MFontana went through several chapters of one of my works, and did full-on breakdowns on them. He provided extensive feedback on that piece, helping me develop my skills in both writing and world-building.

If he ever offers to critique your work, I suggest you take him up on it; you will not regret it.

Edit

The worst? When someone keeps mentioning something my MC seemed to have missed back at the beginning of the story (I didn't explain something I considered obvious at the time, but looking back, I probably should have), and keeps bringing it up as they catch up to where I am now, even though I've already answered them with my reasoning.
Agree. We need more polite and respectful people like him. :blob_aww:
He is just starting to review mine... I'm excited!

I appreciate the shout-out, Juia, and the compliment, El, and I do hope the feedback helps as well, Myth. [I'm sorry it took so long to get everything posted for you.]

And yes, I am still planning to finish going through your story Juia. I've just got a LOT on my plate right now that I'm juggling here, between my own stories, reading and just a few breathers to decompress.

As for the method I use, I can't take full credit for it. It's the method for critiquing that I was taught by one of my professors in college (a method geared towards professional-level critique and feedback), and I do believe I've shared it on here.

The first, and simplest, of the principles to follow is: Feedback is never about tearing down the subject, or their work, so for every negative, there must be a positive whenever possible. Then start the presentation of the critique on the positives (IE: What works well) to establish a constructive tone.

The second, equally simple in principle, is "To make no assumptions about the origin of work in question." (IE: Judge the work simply by what is written on the page under the benefit of the doubt." so no accusations of anything, no matter what the work may look like, no ad-hominem attacks, or attacks on the work's creative integrity).

Third; To apply the Socratic method, or simply put, to ask the subject pointed questions meant to get them thinking, and reasoning, for themselves. Alternatively, to provide a number of key points that should be considered when making revisions, if revisions are intended.

Next; Is to directly address the creator's questions/focus/topic as the heart of the critique (when there is one). IE: If the author asks for feedback on their fight scene, don't spend your critique ripping apart their world-building and dialogue. Focus on the fight scene.).

Lastly; Do not project your personal feelings onto the work, or allow them to influence the critique. For a lot of folks this is the toughest one, but also what tends to separate the professional-level critiques from amateur-level or, worse, toxic, critiques.
"A critique isn't about whether I (the one giving the critique) liked the work or not. It is about the technical mastery showcased, and how to push the work's creator to further hone their craft. There's room for personal feelings and opinions afterwards, as long as they are clearly differentiated from the critique. If you focus on that, you'll nail the constructive aspect." ~Prof. M. Mastermaker (This is a paraphrased quote, not a word-for-word quote, by my professor.)

This was the approach that I was taught for critiquing any creative work, and will continue to be the approach that I utilize for any, and all, critiques.

As one last little addendum: It's okay to say you like something, or don't like something. What matters here is articulating WHY to the author, so the feedback can be made into something actionable, and thus, constructive.
 

Juia_Darkcrest

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I appreciate the shout-out, Juia, and the compliment, El, and I do hope the feedback helps as well, Myth. [I'm sorry it took so long to get everything posted for you.]

And yes, I am still planning to finish going through your story Juia. I've just got a LOT on my plate right now that I'm juggling here, between my own stories, reading and just a few breathers to decompress.
Oh, you don't need to critique MFGR anymore unless you just want to read it for your own enjoyment. Honestly, I will rewrite Arc 1 at some point, as I am completely unhappy with how it turned out. I had made too many mistakes and was reaching too far to fill those plot holes. I liked how Arc 2 turned out better, so it will only need minor adjustments to polish it off once I redo/add on to arc 1.

I learned a lot from writing it and took that experience into DEN. I need to go back and polish about 1/3 of my DEN chapters with Grammarly at some point, so all the chapters read similarly, but overall it is a much better work and includes my own OG world for about 43 chapters of it.
 

MFontana

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What's the best and worst feedback you've ever received as an author?

Me:
The best feedback I've ever received was constructive suggestions to make scenes more immersive for readers.

The worst feedback I've ever received was questioning and suggesting (or dictating) to change the plot, characters, and world-building just because they are weird or out of reader's taste after reading a single chapter.
The best (in terms of positive feedback) would be a tie between:
"This is probably the best you've ever written."
and
"I can't believe you actually wrote this."
The former comment was back in ~2008-2010 on the sample here (it's old, dated, and I've since improved). The latter was on the early drafts of The Elarian Chronicles from one of my beta-readers.
Prologue: Reflections

Sitting here looking back on my life, I have begun to wonder if everything I've accomplished was worth the effort that I put into it. Here, sitting alone, always alone, my thoughts wander, and my dreams, nightmares mostly, plague me, and little by little I have come to question which world is true. The world of my dreams, or this world plagued by war.
I wonder, truly, what is all of this violence and bloodshed for? Why was this conflict started? For land? For glory? Or for some higher purpose? I have not these answers, and I do not believe I ever will.
These last few nightmares have come on far harsher than the others. Even after waking, I feel the pains and horrors of my dreams. I still feel the arrow...and who was that man?
New orders, and new nightmares, I wonder if they are connected sometimes. Either way though, I know what I must do, and I do not look forward to it, even as I know that it must be done. There is something...different...about that one.

Before I forget to include this, it seems Leon was also given new orders. I hope that he will be well, no doubt my orders are dangerous, his are...I want to say a suicide mission, but...

As Naomi had finished writing her journal entry there was a knock at the door to her bedchambers, and a familiar voice came from the other side. "Lady Naomi, are you dressed?"

"I am, but that has never stopped you before." Came her reply to her visitor, one that brought a soft chuckle, as she knew he was nodding with it. This had been the fifth night in a row he had come to check on her, and at least three of them he had entered her room without knocking at the sound of her screams, much to his own dismay as he oft had to quickly dodge a flying object or two from the flustered Naomi.
She had since grown more comfortable with her nightly visitor, and had made light with him on several occasions of their earlier encounters. "I am doing quite well, my friend. I was just...reminiscing." She said to him as he opened the door and quietly entered her room, closing her door behind him.
"I am glad to see you well tonight."
"I wouldn't say I am doing well, just no nightmares yet because I've not yet found time to sleep."
"I see..." came the soft and soothing reply and as he stepped closer to her the light of the moon cascaded through the keep's window to illuminate his form, the form of the man she had seen in her dreams. The man who had been murdered in that very same window.

The realization shocked Naomi, and she shot up in her bed, her eyes wide open darted around the room, her room. "Who...was that?" She asked aloud, but there was no answer. She seemed truly startled, and continued looking around her room. She couldn't deny the similarities between the rooms and slowly made her way over to the window overlooking a large and open courtyard with a three-tiered marble fountain in its center. "Oh...my...God..." She said softly to herself.
The mental stress from seeing all of these similarities to her dreams, and to waking in the very same place where she herself had 'died' in her dreams had her head spinning to the point where she felt herself collapse to her hands and knees in an effort to fight off the dizziness, then everything seemed to fade into darkness as she lost consciousness.

Naomi had awakened to the warmth of the sun shining down upon her face through the open window, lying once more in her bed with the covers neatly tucked around her. To the left, window, side of the bed sat a single chair beside a bed-side table with a rather large metal bowl that had been filled with cool water and had a piece of cloth floating around in it.
Standing beside the window was a familiar young man, a longsword strapped to his hip and a tattered and worn cloak running down from his shoulders to his back. Even with his back to her she could easily identify him. Mikael, the 'Silver Wraith', the 'Angel of Death', and keeper of many other nicknames, though none he broadcasted himself. "Where am I?" she demanded as she sat up in the bed. "And what have you done to me?"
"Nothing inappropriate, I assure you." came a far more familiar voice, as the door opened and Samuel, her commander, walked into the room.
"You...you're...you're alive?!?" She was barely able to piece together the words and reached up with her arms to rub her weary eyes, only to find that they were completely obscured by the long sleeves of a man's shirt.
"I am, and I have been keeping a close eye on our friend here. He has behaved as a proper gentleman should. He only saw to your injuries and seemed unnaturally concerned for your wellbeing." Samuel paused at that as he glanced to Mikael, who was still standing stoically at the window. "He took extreme care in dressing your wounds, then made sure that you were properly clothed and cared for."
"This shirt?" Naomi started to ask and Samuel answered with a simple head nod in Mikael's direction. "We had little to offer you; this place has been empty for decades."
"Keep it." Mikael said calmly as he finally turned to face Naomi. "You are welcome to eat with us, and may go when you are able, if you so choose. I would suggest you stay here with us for a while. Rest. Regain your strength."
"I can't..." Naomi replied, almost a whisper, then to ease Samuel's shocked look, she started to add "For these past few months I have been having worse and..."
"Worse nightmares." Mikael calmly finished for her, much to Samuel's and Naomi's surprise and bewilderment. "You cried out several times while you were unconscious." Mikael calmly added as he moved to sit. He made no efforts to cover himself, and the cloak simply draped out around the chair as he sat. "You are safe here. Food will be provided."
"Am I to be your prisoner then?" she had to ask
"No. A guest perhaps, but not a prisoner." Mikael smiled at her and gestured toward the wall where several weapons and the rest of her gear were resting. "Your armor was badly damaged in several places. I could not repair it, so Jessica went out shopping to get you a new set."
As he said the woman's name, she seemed to materialize in the doorway and screamed, or at least that is what it sounded like, "Mikael, Samuel. She's awake?!? Why didn't you..."
Before she could even finish speaking though, Naomi was already covering her ears and Mikael looked to Jessica with a stern expression, but maintained his calm tone. "She only recently regained consciousness." Mikael then turned his attention back to Naomi as Samuel escorted Jessica from the room, leaving the door wide open as he did so.
"You have been unconscious for nearly a ten-day, Naomi." He said calmly and then, for the first time in her memory, smiled, and the smile was directed at her as he continued speaking. "I am glad that you are well. The others would very much like to meet you, for Samuel has not ceased singing your praises since we found you."
"He's what??" came the expected reply and the not so expected slight blush to her cheeks. "He has spoken highly of you, and was deeply concerned for your wellbeing, though I must admit, I was no less concerned."
"I see...well you have my thanks, for what its worth. I do have orders to kill you, again." Naomi said calmly to Mikael, who made no movements for his sword, even at the revelation. "If that is my fate, so be it." He said calmly to her, almost too calmly. "If you decide to follow that course, at least give me the courtesy of direct combat. You are a knight, not a sellsword or assassin for hire."
His calm had shocked her again, as though he had either known that from the beginning, simply didn't believe she could succeed, or had come to terms with his mortality, as one who knows that death is inevitable. Ohh how this man had changed since the first time she met him. It was clear to her then, that Mikael had at least faced, and overcome his inner demons. That calm, however, also made him a far more dangerous opponent.
"I am not well enough to face you, and see no reason to deny that. I am no coward, and if I fall..." As she said that Mikael shook his head slightly. "Doubt breeds fear, and fear will consume you before our blades have crossed. I am not your opponent. Your fears of me are, and you will overcome them."
As Mikael started to stand, Naomi reached out and grabbed hold of his wrist weakly. "Thank you..." she said again and gestured toward the door. "Let us go eat, I know you have been here through the night, and are no less hungry than I am."
With a nod, the normally stoic Mikael smiled and helped Naomi to her feet, then proceeded to help her from the room. "Take the spear. It can help you walk." He said, more as instruction, but even as she grabbed the spear, her other arm subconsciously wrapped more firmly around him, and something about that closeness comforted the young woman.
"You know I'm going to try to kill you, so why, may I ask, are you being so kind to me?" Naomi asked as they made their way down the stairs, her mind, however, was wandering and trying to figure out why she was so comfortable being this close to someone who had frightened her so profoundly not more than a year ago.
"I wonder..." Mikael said almost half-there himself. "Maybe it’s because I want you at your best when you try." He gave a slight shrug, but even as he did so he shifted so the motion wouldn't put her off balance in her weakened state. "Perhaps, it is something more. I really don't know for sure. I would likely attribute it to your honesty with me."
His own confusion seemed as perplexing to her, as it was obviously to him, but before she could really think more about it she felt her foot slipping on a stair and tried to regain her balance, only to end up over-compensating, and then she was falling.
Or at least she felt like she was, but the fall was too short, for when her brain caught up, she noticed that her head was resting against Mikael's firm chest and he had managed to brace against the impact well enough to keep his balance long enough for her to regain her own.
She couldn't help the blush that colored her cheeks in that moment, and was surprised when even after she regained her balance, she didn't stand, and he didn't object. "Thank you...again..." She whispered softly, and started to straighten herself out. "There is no need for thanks." He said softly, though his voice seemed to carry a hint of pain.
It was then, that she realized the tip of the spear had grazed his shoulder, and was still digging against his flesh even as she moved to stand. "I'm..." she started to say when he reached up and placed a finger against her lips."You need food. I'll be fine. It’s just a scratch." He said calmly, through the pain, and proceeded to help her down the stairs.
"I...would like to hear what happened, and how you came to be here." He said softly to her as they neared the bottom of the stairs, his voice seeming distant in that moment, and not long after they first touched the bottom of the stairs they were greeted once more by the squeaking of Jessica's voice.
"Another time, perhaps." Naomi had managed to whisper back, and she was surprised that he was interested in learning about her life, but before she could dwell on that Jessica was already rushing toward them, her long brown hair bouncing behind her as she charged as if to hug them both.
Much to her dismay, and in a motion as fluent as a professional ballroom dancer, Mikael pivoted on his right foot while stepping with his left and lifted Naomi only slightly off the ground during the movement, so that even as he was executing the spin, Jessica had charged right past the two of them. By the time he stopped moving, Jessica had stopped and pounded her fist on the wall in frustration, while both Naomi and Mikael had covered close to half the distance between the stairs and the dining hall.
"Jessica, she is weary, and needs food."
"You've been giving her attention all night and you don't even know her. What about the rest of us? Don't you care about us?" She squealed and shouted at him, but he had seemed to have toned her out.
"Are you even listening to me?!?" she went on as she moved back toward the pair, who by now were standing in the doorway of the dining hall, a round table set in the middle of the room with a total of eleven seats situated around it. In one, she saw Samuel, and across from him, was another young man, though he seemed to be the oldest of them, it wasn't by much, was sitting and calmly eating his morning meal.
"Darconne." Mikael said in a simple introduction, and the powerful, and well known, young magi bowed his head and went back to eating. "I need not elaborate on his introduction, only know that he is a man of few words, but never speaks without wisdom. From what Samuel has said of your personality, I suspect you will get along with him quite well."
"Naomi, as Samuel has no doubt already informed you. It’s a pleasure." She said with a hint of respect for the young mage's accomplishments as they were not few, and were reasonably well known. Ventes himself had cautioned her about the mage, and had even warned her that he was probably the most dangerous of the people she might have to fight with a simple statement. "If you don't have to fight him, then don't. If you find yourself in battle with him, withdraw, and if you are fortunate, you will succeed."
"Samuel has spoken of you, but Mikael spoke more, but said less." the young mage commented with a joyful smile. "I think he's taken a bit of a liking to you, and I can see why." And with that, the dangerously unpredictable mage resumed eating his roasted bread and boiled chicken.
"Is there enough?" Naomi started to say when Jessica pushed past them on Mikael's side to try and grab his arm. "Come and sit next to..." she started to say, but the moment she had touched his arm, Mikael turned toward her with a stern gaze and said calmly, but in no uncertain terms. "No." then proceeded to help Naomi into a chair before moving to get her some food.
"As for your question, Naomi, there is as much food to eat, as there is grass beside the road." Mikael said to her with a casual chuckle, which Darconne had also joined in on. As he spoke, he went over and retrieved a few plates of well-cooked food, roasted chicken, pork, beef, and other well-known delicacies. "Don't ask, you'll enjoy it more if you don't know."
That comment alone brought a whole-hearted laugh from Darconne, which proved to be quite infectious as all but the pouting Jessica joined in his mirth. "Its...magic." Darconne said as the laughter died down, but said it in such a way that only he could, and once more the room was full of laughter.
As they had all finally finished eating, Jessica noticed some blood dripping down Mikael's arm and she shrieked, a sound that could be attributed to the shriek of a harpy, and likely would be. "Mikael?!?! You're hurt!!"
"A scratch." was Mikael's calm reply, though he couldn't deny that the wound, still bleeding, was not as trivial as he had made it out to be. Samuel was the quickest to action, but Naomi was the first to reach him. She wrapped her hand in his shirt and pressed it down over the wound to help stop the bleeding.
Samuel had run to retrieve one of the medical kits from his pack, and Jessica, was still shrieking like a harpy and flinging accusations at Naomi for hurting her 'beloved', claims which Mikael's expression alone were enough to create doubt to their truth.
"You really should have said something sooner..." Naomi said softly to him as Jessica's most venom-filled accusation came there way. "It was that slut! Not only was she trying to sleep with him, but she tried to kill him too!"
"Enough!" Darconne said, his voice somewhat raised above the usual calm of the powerful mage, and that alone brought silence over the entire room. A magical silence, for after he spoke, Jessica tried to shout at him too. Much to her shock, and surprise, no sound came out of her mouth.
Samuel had come back over to them with the medical kit and placed it down on the table for Naomi, who expertly opened the kit, gathered up the materials she would need from it for a proper bandage, and began to stitch Mikael's wound while she mouthed to him "This will hurt."
Mikael calmly nodded, then sat perfectly still, his teeth digging into his lower lip as he felt the needle slipping through his skin. He knew even if he cried out, it would not be heard, but he couldn't afford to make any sudden movements, so he sat and endured.
None of them were aware that Darconne's spell had long since ended, as they all sat in total silence until Darconne spoke. "Well...isn't it nice to enjoy silence from time to time?" A question which had shocked everyone else in the room from their silent stupor except Naomi and Mikael, for the obvious reasons.
"Well...it seems we will be here for a while." Mikael said softly to Naomi, and took note of the reflexive smile that crossed her lips in that moment then continued. "I would really like to hear your story. Everyone has one; some are just more...interesting...than others." He winced slightly from the pain as she poured a cleaning solution over the wound that she had finished stitching.
"My story?" She asked in a somewhat confused manner, though the blush on her cheeks did little to hide her embarrassment at the moment. "I would share mine as well, and perhaps we two will come to find that we are not as different as we first believed." He continued, then as he finished speaking his eyes seemed to glaze over, and his now limp, body nearly fell from the chair.
This project was scrapped and rewritten several times since, and isn't something I would consider my personal best anymore, but it certainly was at the time that I wrote it.

That said, the best (constructively speaking) that I've ever received would be a toss-up between:
  • "Make friends with spellcheck / grammar-check."
  • "Try to use shorter paragraphs. When they're long like that it makes it hard to read."
Both bits of advice I got before writing the sample included here, and have continued to internalize with my writing ever since.

More recently, @FRWriter also gave me some good technical advice in the general sense. Though it doesn't work for the tone or style of the story it was given in, that doesn't make it any less functional, or effective in a broader sense. Short, clear sentences are definitely a good thing in the vast majority of styles or tones, especially when writing for the Webnovel format, so I'd be remiss in not including it here where it belongs. The same for using simpler, clearer, language across the board.

Additionally, @Eldoria, you also gave me solid feedback on the fight sequence that I was having some issues with, and helped me polish and release it on schedule, and that also deserves being noted and mentioned here. And while we have different preferences on the use of Onomatopoeia, there was definitely a time, and place, to include it within the fight sequence as well. (And yes, I did expand the sensory beats substantially too, at your suggestion).

I am, admittedly, still working to internalize that with my lighter novel here (Aestelle Nocte), but hopefully will demonstrate some forward progress in Chapter 3 when it releases later this month.

As for the worst feedback (in both negativity and technical critique); well it ranges anywhere from
  • This is shit."
  • "Trash. 0/10"
and any number of other iterations, to blatant accusations and misrepresentation of my creative work that I'll not repeat, nor quote, here.

EDIT: Message #300
 

FRWriter

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More recently, @FRWriter also gave me some good technical advice in the general sense. Though it doesn't work for the tone or style of the story it was given in, that doesn't make it any less functional, or effective in a broader sense. Short, clear sentences are definitely a good thing in the vast majority of styles or tones, especially when writing for the Webnovel format, so I'd be remiss in not including it here where it belongs. The same for using simpler, clearer, language across the board.

Any advice I have given you is totally offset by my mistake and wrong feedback, since my brain has deteriorated from reading only garbage online. In fact, you could have used everything I said as an example for the WORST feedback. My advice was merely my personal subjective opinion on the "average webnovel reader" (like me), which isn't a stereotype you should necessarily cater to anyway.
 

TinaMigarlo

the jury is back. I'm almost too hot for smuthub.
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Last place I was at before here. You would post excerpts and ask for feedback.
I'm paraphrasing, of course...
----------------
dude. your character died. he wakes up in another world.
its boring to read a thousand words describing death and traveling.
just say it, and move on.

I mean, to me?
Being betrayed by those closest to you that you thought you could trust above all others,
brutally murdered for profit.
Yeah. I felt that some paragraphs describing the death,
laying there dying, how it felt. The cosmic traveling feeling.
the sudden snapping into some body.
all deserved a little bit of time.

am I the only person that goes...
what? you wake up. in a strange world, in a strange body.
and you don't freak out? WTF.
But no. Its always just...
"Oh. I'm my character in my video game. Cool. Imma do a speed run. Whee!"
that's not a "novel". That's a comic book.
------------------------------------------
same story, by the way, I got what I thought was what i was going for...

dude. its kind of cool. Different, but cool.
its like, some kind of genetic evolutionary throwback, to just basic weebery.
and I mean that in a good way.
Kind of refreshing from everything being the same now just with diff names.

and I sit back. Okay, this guy gets it.
its not just me. There's at least one more out there.
but... are there enough of them and can I find enough of them.
------------------------------------------------------------

I mean, that was one example from posting "samples" back where I hailed in from.
same story, best and worst take.

here? I could have died when I got my first more or less "fan mail" then a couple more.
I don't find this place to be a hug box, but it lacks some aspect of brutality that I grew used to.

I guess I feel like a cheap hooker.
I used to get punched unconscious.
but now I just get smacked around a little, and that's a lot better.
I could almost get to like it.
so, either this is a better street corner for me to ply my trade on...
or I'm getting a little better at giving the johns (readers) what they want.

but hey, criticism is part of the game.
don't be afraid to pull my hair.
its what I'm for.

a writer is a prostitute.
i'm not writing anymore for myself, or just for a close friend.
I'm making myself for public use now.
I gotta do as much of what they want as I can.
while trying not to have to do what I don't wanna do.
some of both has to happen.
the better I can get at it?
the less I get smacked around and the more I can get treated better.
and if I get really good at it?
I get taken out to a fancy gourmet meal or a red carpet ball, and paid for it.

still on the street corner, though.
(fires up a smoke)
 

FRWriter

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Since it fits the thread, I have recently received a pretty funny Review as well, and I'd like to share the story.

The Review perfectly lists the flaws of my story, but comically, the Reviewer has read 458 chapters.
While the criticism is arguably true and fair, he didn't list even one positive aspect.
So while I think the criticism is justified, it's pretty one-sided. Still, I appreciate feedback.

After I politely thanked him for the Review, because hey, whoever reads almost 500 chapters of my very first attempt at a story deserves my thanks, he changed the rating from 1 star to 3 stars (which I think is a little fairer because if you suffer through almost 500 chapters, it can't be that bad, right?)

Anyway, the moral of the story: It always pays off to remain polite, even if someone bashes your story. Everything is subjective, and rage rarely gets you to your goal.

Here is the "soft part of the Review," the harsh critic I'll leave out ;)


Review:

I cannot in good conscious let anyone waste their time on this without a warning.

I read this because I love the concept of terror infinity despite the sad execution and this is somehow worse.

Warnings:

-Main character does not improve in any meaningful way in 400 chapters. Despite encountering every psychological vector for change. Literally almost every single one.

-The romance is horrible. It is built on pity and unhealthy power dynamics, yes, every romance, the harem is simply terrible.

-The action is the best written part but it is so rare that it is not worth it. You spend 30 chapters on what can be summarized in two unimportant paragraphs.

- Don't be duped, this is a bad slice of life story with occasional fireworks.

Now for spoilers and harsh criticism: CENSORED

Summary: Flat characters, boring padded word count, romance is so unrealistic that it implies mind control, nonexistent themes, and tone.
 

Playerkartik

Vegetarian - Hospital Owner - Judge
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I got two reviews:
One telling that I used too much Ai...
the other telling my MC is not distict from other charecters.
I can't tell if they are best or worst
 

MFontana

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Any advice I have given you is totally offset by my mistake and wrong feedback, since my brain has deteriorated from reading only garbage online. In fact, you could have used everything I said as an example for the WORST feedback. My advice was merely my personal subjective opinion on the "average webnovel reader" (like me), which isn't a stereotype you should necessarily cater to anyway.
Mistakes are a part of being human. We all make them, and I'm not judging you (or the feedback that holds merit) for yours.
The input and your opinion are valid all the same, and the use of shorter and sharper sentences is meritorious feedback.

Tolkien himself also frequently used shorter, sharper, sentences mixed in among his longer more flowery passages, and his is a level of literary command and mastery is something worth aspiring to, even if it can't be achieved; and he isn't the only one. Some of my own personal favorite authors also frequently do the same.

Take this excerpt from Erin M. Evans' Brimstone Angels series for example:
"BUT YOU DO SEE THE WAY PEOPLE LOOK AT YOU, devil's child."
Those black eyes, cold as a winter storm, were staring right into her heart and the sudden seriousness in his voice jolted her.
"What is it they say?" he asked. "One 's a curiosity, two's a conspiracy-"
"Three's a curse, " she finished. "You think I haven't heard that rubbish before?"
"I know you have." When she glared at him, he added, "It's not as if I'm plumbing the depths of your mind, dear girl. That is the burden of every tiefling. Some break under it, some make it the millstone around their neck, some revel in it." He tilted his head again, scrutinizing her, with that wicked glint in his eyes. "You fight it, don't you? Like a little wildcat, I wager. Every little jab and comment just sharpens your claws."

It is a perfect showcase of that suggestion, and advice. In print format, from a best-selling fantasy author. The advice wasn't wrong, and it was still good advice, even if the delivery of it wasn't what anyone could call ideal.
For the story's heavy classical gothic style, the shorter, punchy, approach doesn't work to really deliver the weight and oppressive feeling of the world. For a lighter tone, it certainly is the ideal approach. Especially for casual reading; and the multiple best-selling light novel series that were turned into anime series are proof that formula also works.

The trick, if there is one, is finding the right balance. (And no. Don't look at me to tell you what it is. I still haven't figured it out myself yet).
 

Nolff

An attractive male of unspecified gender.
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What's the best and worst feedback you've ever received as an author?

Me:
The best feedback I've ever received was constructive suggestions to make scenes more immersive for readers.

The worst feedback I've ever received was questioning and suggesting (or dictating) to change the plot, characters, and world-building just because they are weird or out of reader's taste after reading a single chapter.
The best feedbacks are praises.

The worst feedbacks are getting none.

Now flip the word 'best' and 'worst'.
I got two reviews:
One telling that I used too much Ai...
the other telling my MC is not distict from other charecters.
I can't tell if they are best or worst
If you got two reviews, then they're fighting for the third place of the worst feedback.
And also, don't get battered by them. You expected one of them, by the way. Grow a spine.
I got two reviews:
One telling that I used too much Ai...
the other telling my MC is not distict from other charecters.
I can't tell if they are best or worst
 

TinaMigarlo

the jury is back. I'm almost too hot for smuthub.
Joined
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Since it fits the thread, I have recently received a pretty funny Review as well, and I'd like to share the story.

The Review perfectly lists the flaws of my story, but comically, the Reviewer has read 458 chapters.
While the criticism is arguably true and fair, he didn't list even one positive aspect.
So while I think the criticism is justified, it's pretty one-sided. Still, I appreciate feedback.

After I politely thanked him for the Review, because hey, whoever reads almost 500 chapters of my very first attempt at a story deserves my thanks, he changed the rating from 1 star to 3 stars (which I think is a little fairer because if you suffer through almost 500 chapters, it can't be that bad, right?)

Anyway, the moral of the story: It always pays off to remain polite, even if someone bashes your story. Everything is subjective, and rage rarely gets you to your goal.

Here is the "soft part of the Review," the harsh critic I'll leave out ;)


Review:

I cannot in good conscious let anyone waste their time on this without a warning.

I read this because I love the concept of terror infinity despite the sad execution and this is somehow worse.

Warnings:

-Main character does not improve in any meaningful way in 400 chapters. Despite encountering every psychological vector for change. Literally almost every single one.

-The romance is horrible. It is built on pity and unhealthy power dynamics, yes, every romance, the harem is simply terrible.

-The action is the best written part but it is so rare that it is not worth it. You spend 30 chapters on what can be summarized in two unimportant paragraphs.

- Don't be duped, this is a bad slice of life story with occasional fireworks.

Now for spoilers and harsh criticism: CENSORED

Summary: Flat characters, boring padded word count, romance is so unrealistic that it implies mind control, nonexistent themes, and tone.
you took that one almost "dry", chief.
at least he spit on you first, that's something.
but when you get jaded from enough of that...
it makes the occasional gushing fan mail that much sweeter.
 

Makimaam

Well-known member
Joined
Dec 17, 2025
Messages
112
Points
63
Best feedback
Your protagonist feels like a secondary character in your story because you are so in love with the love interest.”

It came from a friend and it hurt. I ended up dropping a 100k-word story. But it was a wake-up call, an honest one, and it made me think about craft properly.

Worst feedback
“OMG, this is so good. This is the best.”

Only a month later, they were being critical about it. It was much less constructive because it was first delivered as empty praise.
 

FRWriter

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Oct 3, 2024
Messages
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you took that one almost "dry", chief.
at least he spit on you first, that's something.
but when you get jaded from enough of that...
it makes the occasional gushing fan mail that much sweeter.

I'll take it with a grain of salt, because I still believe if you waste like hours and hours of time, reading 800k words, you'll at least like the story on some level, which I guess he did.

I'm almost immune to positive feedback by now anyway so I can deal with a little negativity.
Also, negative feedback is actually far rarer than positive feedback, so I really don't care too much and see it as a chance to improve.
 

SoullessDiaz

Member
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I don't have screenshots. One time I was told that I knew how to keep comedy and serious moments separated, with how well I wrote the dialogue of the characters, so it sounded natural and in characters.

The negative one was with a prototype story. I made the MC to be someone that was done with life at that point, so she didn't care about others opinions, something I reflected through her being snarky, knew how to get under people's skin, cursed a lot and constantly did stuff people would not try because it would be a stupid risk of her life. I was told that it was a bad character because it cursed, and it was just an attempt to make her sound more edgy and that I should change it.

I am not changing that character.
 

Rachel_Leia_Cole

Goblin politicist
Joined
Jan 11, 2026
Messages
110
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63
The best feedback I had came from a review on another platform, I had a reader say my book gave her Arthurian legend vibes through a Tolkien lens. I was like ???

I haven’t had much bad feedback. Most of what I’ve had has been a reader mismatch: “this is boring”, “I’d like more romance,” etc. Or people expecting excitement on every page.
 

FRWriter

Well-known member
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Oct 3, 2024
Messages
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In reality, we all know what the best feedback you can receive looks like. I don't think I need to even say the word.

 

Eldoria

Well-known member
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In reality, we all know what the best feedback you can receive looks like. I don't think I need to even say the word.

It's not like that, dude. The best feedback for you isn't necessarily the best for me or for them.

Praising feedback can feel good for one author. But for another, it doesn't help improve the narrative.

This thread aims to broaden our perspective on what constitutes the best feedback... and what constitutes the worst feedback based on our experiences as authors.
 

Joyager2

Amateur
Joined
Jan 30, 2025
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I’ve had a few ‘This is good!’ comments, but ultimately, the best feedback I’ve ever received was on a short story I wrote, where my reader asked me a lot of tough questions about the structure of my narrative and the depth of my characterization. It changed the way I approach a lot of my writing.

The worst feedback I’ve ever received was probably when I asked someone to critique what they could, waited almost two weeks for them to get back to me, and then got a response where it was clear they had only read the first sixth of my story and skimmed the rest. Kind of unbelievable how earnestly they presented feedback where they called characters by the wrong name and talked about events that didn’t happen (or told me I should add things I already had).
 

FRWriter

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It's not like that, dude. The best feedback for you isn't necessarily the best for me or for them.

Praising feedback can feel good for one author. But for another, it doesn't help improve the narrative.

This thread aims to broaden our perspective on what constitutes the best feedback... and what constitutes the worst feedback based on our experiences as authors.

I was really just kidding with that one. :sweat_smile: Don't take my memes too seriously.
 

Jaymi

Time Traveling Idol
Joined
Apr 27, 2023
Messages
177
Points
83
What's the best and worst feedback you've ever received as an author?

Me:
The best feedback I've ever received was constructive suggestions to make scenes more immersive for readers.

The worst feedback I've ever received was questioning and suggesting (or dictating) to change the plot, characters, and world-building just because they are weird or out of reader's taste after reading a single chapter.
The best feedback i’ve ever received was probably to trust my readers imagination.

The worst was “add smut” ?
 
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