What is the competitive advantage of your story's premise?

PBJ_Time

It's Peanut Butter Jelly Time!
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We can see many similar, almost identical stories with/without different identities of protagonists and antagonists, but the underlying pattern is the same. For example, there are countless novels about regression, cultivation, reincarnation, otome, teen romance, and other tropes written by thousands of authors.

From here, we need to think of story's premise which is interesting, authentic, original, and unique to narrate the story in a different way so that it can have a strong hook to engage readers and also serve as a competitive advantage for our novel compared to other novels in its segment.

Critical Note:
Seeking a competitive advantage isn't just about finding a market. It's more about surviving in a saturated market.

It's true that we can write thousands chapters of mainstream and clichéd stories with various popular tropes and quickly go viral. If our goal is simply to go viral (briefly), that's enough.

Clichéd stories might make readers easily catch on (because readers grasp the popular trope as a hook).

Meanwhile, a competitive advantage makes your story memorable (because readers grasp the story's originality as a hook).

In short, if you want to go viral quickly, writing a clichéd story is the right choice. However, if your story wants to be remembered long after as a pioneer/icon, then originality is key.

And perhaps the best story is a mainstream story with a distinctive originality (the popular and memorable story).
I haven't republished it yet, but mine is heavily inspired by Vampire Survivors:
1000073113.jpg

With a game like this as inspiration, my main challenge is to vividly convey just how many enemies my protagonist and his friends are fighting on a daily basis without bogging down the action into the same beat. Trust me, I have an easier time writing politics than trying to show how this would look like in written form.
 

empalgepuk

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Henshin hero taking place in fantasy world is not done enough, so I took a spot in it.

Also the "everyone gets their moment" trope
 

Nekyo

Otaku Cat
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The competitive advantage of my three stories is that they go against the grain. They don't just twist the trope but almost fight it back to the opposite.

Isekai Saturation?: Voidlight: Reverse Isekai (other world characters get sent to a similar one to ours)

Isekai OP MC LitRPG?: Deathend: Isekai where the Mc's cheat system is underpowered and more of a curse.

Hate against AI?: A.I.Love: where AI is the most loving partner you could ask. (But is AI love real love~? And what even is real love~?)
 

Talon88.1

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Its not an isekai, a power fantasy, a self insert, a crossover or anything like what the market has saturated with.
 

eternalparticle

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Be me.

I keep coming up with ideas of stories that don't exist, or even if they do—they are very few and definitely not mainstream and yet I choose to write the same overused transmigration, just because I had the idea of making it so that, the perspective shifts between the two protagonist, across two worlds, every 5 chapters.

:sweat_smile:
 
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My superhero harem mystery has nothing completely original, but combines existing genres and ideas in a unique way, which is how much good art is created.

In general, "combine two or more generic things to make something interesting" is a pretty good formula for any genre.
 
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