A character's strength is relative to what story is being told. In ETA Hoffmann's The Golden Pot, Anselmus is, in my opinion, strong by the end because he has thrown away his former life and fully embraced the magical world of Atlantis. In Mary Shelley's Frankenstein, the monster is weak because, although it is physically strong, it lacks the one thing it needs to go on living—a place to belong. No matter how it threatens Frankenstein, he will not create a mate for it, and so its physical strength is meaningless. On a similar note, Victor Frankenstein himself is an example of strong-to-weak, for he begins a confident and intelligent scientist but by the end has found himself powerless to protect those he loved from his own creation.