Review my story! I am trying to create a unique story.

LEGENDGOD1

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https://www.scribblehub.com/series/...ance-beyond-nothingness-vol--avatars-requiem/

so, its not the final product, i am making edits, playing around with perspectives and trying to up my own writing skillz.

It may or may not have common tropes of fantasy world.

the world is crazy big! world building is overwhelming me, senses are screaming to info dump on ever few lines, but i am holding it in. the outline was 17 chapters but now i expect the 1st volume to be almost 24 to 27 chapters long, each chapter from 4700 to 5700 words.


Read my story and tell me what can be improved, story marc told me to switch to tpp so i did in ch 10 and upcoming, deciding to switch to FPP whenever only the mc is concerned in the chapter.
 
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LEGENDGOD1

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"Every clash brings him closer to the truth behind his sister’s fate" Yeah... very unique...
thank you, i really messed up on how people would misinterpret it, goooshhh how did this happen. i fixed it though. i didn't think of it from that kind of pov
??
 

Rookieqw

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Before we start, keep in mind that I am the worst writer on the site, so take any of my suggestions with a bag of salt.
Sirens blare throughout the compound, but soon, there won’t be anyone left to respond.

"Ronin! Cyberbots inbound—four of them, armed with KS-200 plasma rifles!"

Frey’s voice crackles through my radio, clipped to the waist of my cybernetic hitman suit.

I sigh. “Frey, didn’t I tell you not to play games with headphones on during my missions? And don’t yell in the damn radio.”

She huffs. “Just focus on not dying.”
The MC comes off as an ass and this is the very start of your story! Whoever this Frey is, she gave a valid info and wasn't wasting his time at all. How is she playing? What sense does it make? Maybe if she'd started with a long-winded, unnecessary joke, it would have made some point, but as it is, not so much, sorry.

A secretive, illegal research facility run by mad scientists—pushing the limits of technology beyond its time. My sister's last known trace leads me here.

Sirens blare throughout the compound, but soon, there won’t be anyone left to respond.
The cyberbots round the corner, humanoid machines clad in heavy armor.

"Intruder detected. Surrender, and you may—"
There is a fast pacing, there is a normal pacing, and then there is a teleportation between scenes. This is what you are doing. The MC just pops (and not in the term of using a teleportation power, but I am talking about narrative dissonance) from place to place like a rabbit. Like, this right here. "round the corner". Did he break into the facility? Is he in some sort of a corridor? Is he outside and the bots came from the corner of the building? You need to learn how to establish a scene.
I don’t wait for them to finish. My twin pistols bark, and the first bot collapses as a well-placed shot fries its central processing unit.
This tells me nothing, as I (as a reader) have no idea where his central processing unit is. Is it in its head? The bowels? The legs? I assume the head.
I don’t wait for them to finish. My twin pistols bark, and the first bot collapses as a well-placed shot fries its central processing unit.
Bark. As in once, I assume.

The remaining three take aim. Before they can fire, I activate the electromagnetic disruptor on my belt. A pulse surges through the air, and their systems short-circuit. I waste no time, executing them before their failsafe can kick in.

I deactivate the disruptor to keep my radio from cutting out.

“Shit, I’m out of bullets,” I mutter, tossing my guns aside. I spot a nearby combat knife and pick it up.

Do his guns hold four bullets each? Why throw the guns aside? There was no urgency!

Frey’s voice drips with amusement. “Are you really sticking with just those two pistols? You’ve been sloppy lately.”

On her end, she sits before a massive array of monitors. One screen displays a game, the others cycle through security footage of the lab’s halls.
It reads like head-hopping. I advise committing to a single POV.
The second guard trembles. “Y-you… You’re the Man of Death, right?” He raises his gun with shaking hands.
Just call him Death. Or Reaper. Or Killer. Or Murderhobo. There is beauty in simplicity.

The man nods furiously. “You’ll let me go now, right? I—I have a family, please—”

“You called me a demon,” I say, voice devoid of emotion. “And now you expect mercy?”
Considering we have no idea why these people are bad or who the MC is, he is just an unlikable asshole.

Two scientists stand frozen near a desk, their faces pale.

I lower my gun slightly. “Relax. Just tell me where my sister is, and I’ll let you live.”

They exchange glances. Then, they step toward me.

I sense something off.

Before they can act, I shoot them both.

As their bodies collapse, I spot the grenades rolling from their limp hands.
That connects to nothing in the story. Were they mind-controlled? I expected them to transform and give us badass action, but this payoff is just...worse than meh. Who acts like this?
 
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LEGENDGOD1

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Before we start, keep in mind that I am the worst writer on the site, so take any of my suggestions with a bag of salt.

The MC comes off as an ass and this is the very start of your story! Whoever this Frey is, she gave a valid info and wasn't wasting his time at all. How is she playing? What sense does it make? Maybe if she'd started with a long-winded, unnecessary joke, it would have made some point, but as it is, not so much, sorry.



There is a fast pacing, there is a normal pacing, and then there is a teleportation between scenes. This is what you are doing. The MC just pops (and not in the term of using a teleportation power, but I am talking about narrative dissonance) from place to place like a rabbit. Like, this right here. "round the corner". Is he broke in the facility? Is he in some sort of a corridor? Is he outside and the bots came from the corner of the building? You need to learn how to establish a scene.

This tells me nothing, as I (as a reader) have no idea where his central processing unit is. Is it in its head? The bowels? The legs? I assume the head.

Bark. As in once, I assume.



Do his guns hold four bullets each? Why throw the guns aside? There was no urgency!


It reads like head-hopping. I advise committing to a single POV.

Just call him Death. Or Reaper. Or Killer. Or Murderhobo. There is beauty in simplicity.


Considering we have no idea why these people are bad or who the MC is, he is just an unlikable asshole.


That connects to nothing in the story. Were they mind-controlled? I expected them to transform and give us badass action, but this payoff is just...worse than meh. Who acts like this?
?? this isn't final version, i am trying to slowly layer the chapters, had you read the outline before this, you would be ripping your hairs out from frustration, i am actually trying to break my own barriers slowly, so in next update i am going to establish the lore even more detailed, and with more chapters. thanks for pointing out though. i will establish the scene better in next revision.


I had set my own goal, that i will complete vol one, before addressing these issues, but i guess 1st impression is what counts, so i will address this issue first thing after i am done with my chapter 14's outline.
No worries lad. Mistakes exist to be fixed.
did you use that 'lad' as a reference??
 

Danja

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Before we start, keep in mind that I am the worst writer on the site, so take any of my suggestions with a bag of salt.

Don't beat yourself up over it.

Not everyone is going to get you. There's nothing wrong with that.

I don't believe in going into extensive detail over the furniture (it slows down the plot).
 

LEGENDGOD1

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Yeah i am struggling in deciding what to go with, let it be? or make it so big that info dumps feel natural, scenes are more immersive. but it makes the script insanely big to write.
 

Danja

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Yeah i am struggling in deciding what to go with, let it be? or make it so big that info dumps feel natural, scenes are more immersive. but it makes the script insanely big to write.

I write contemporary fantasy. I don't feel the need to go into a ton of detail.

There's something to be said for leaving things to the reader's imagination.
 
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