Requesting writing advice.

Tilted_pen

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I'm writing a dark fantasy, where a grounded guy has to deal with the supernatural. Only 6 chapters are out currently and I recently re-read them at once. I feel like while I tried to maintain the tragic and grim atmosphere, it felt a bit too relentless, even after my attempts at giving little breathers here and there. If someone is kind enough to tell me how a 'reprieve from tense moments' should be done I'd really appreciate it.


If you decide to see the flaws yourself, then here is the link: The forsworn sovereign
 

Joyager2

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I don’t have any tips or tricks—I don’t have a whole lot of practice when it comes to writing especially difficult or relentless stories—but I do know that Christopher Buehlman does an excellent job of this in his novel, Between Two Fires. It can be a harrowing read at times, but he is so, so good at really capitalizing on the quiet moments to truly humanize his characters, to show that they are resilient in the face of the overwhelming, and that they are capable of becoming better even as the world around them becomes worse. I think that’s the gist of it, really: showing that your characters are capable of maintaining their humanity against all odds in the personal moments between them is something that can really imbue difficult stories with hope. I’d recommend reading Buehlman’s novel and studying how he manages (and also because he’s excellent).
 

Eldoria

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From your synopsis, your story seems dark and heavy. To provide a warm emotional pause, a place for readers to breathe before diving back into the dark world, I usually give my protagonist a SoL chapter. SoL usually consists of a chapter about the protagonist's daily life with their family. My protagonist happens to be a young mother with a cute little daughter.

So, it's easy for me to design an SoL chapter, even though my novel is also a dark fantasy novel that is dark, brutal, bloody, and traumatic.

I'm not sure if your protagonist has a family or loved ones? If so, you can insert an SoL interlude chapter as an emotional pause to give the reader room to breathe.
 

CinnaSloth

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Hello! I enjoy a good dramatic, dark, relentless story, though, I know it can also be overwhelming, and tough, to continue trudging through page, after page, after page, of incredibly cruel, daunting, and heartbreaking story for most people, including the writer while writing it.

From what I've experienced while reading, writing, and enjoying other people's works, it could be as simple as inserting something unusual, or out of place; Describing it for a paragraph before continuing on. Sprinkle it in, letting the people have their sips of water.

EX: A hell-scape of souls, tormented, and writhing in pain as the scream and wail, forever in the apocalypse of death and misery devouring the land of (insert random world). Our hero, crying, and terrified, having just lost his parents, and family, and sister of whom he cherished like no other, slowly feeling as though he, himself, was perishing under the scorching sun, breathless, and tired, wanting to surrender his life to the gods who ravaged his land, his home, turned and saw, of all things in this desolate waste, a flower.
Describe the flower, its color, its hues, the number of petals. name the flower. describe how the flower moved in the soft gust of fiery wind. how it felt to touch. how it smelled. Just a few lines to give the reader a breath of fresh air. and carefully, let the flower go. watch its petals, or the whole flower itself, fly off in the wind never to be seen again.
continue with the story.

I think Moby Dick did that, but in more extreme passages, diving headstrong into the madness of the captain's obsession of the white whale. Chapter, after chapter, of hunting, and lusting to see it dead. and then, random chapters talking about boats, or the sway of the sea, or just the insignificant seagulls soaring overhead. Lengthy inserts that felt like nothing; Jump cuts that had nothing to do with anything, just space to breath, and regain some sense of stability; Maybe even to pull the writer back toward his own humanity.

I'm also currently reading a book called Nevernight. Between chapters of an assassin, one moment, talking about the gruesome murders in detail, to describing metaphorically, and physically about s*x, to the next chapter of being hunted by soldiers that want to mercilessly capture, maim, and kill them, to a memory of, simply, playing with a small cat. All short chapters, each having tensions in their own specific way; Some lighter, some darker.

It really depends on what kind of writer you want to be.
1. Tell it how it is, no reprieve, no cuts, just full heart on your sleeve kind of story. Those with strong wills to press forward will love it.
2. Tell it in chapters, going from one extreme, to the other. A gory, dark story hidden within something softer, and lighter between chapters. There will be those that, either get confused, or can't follow along, to those that will enjoy the story, and understand where the character comes from while also understanding where they're headed.
3. Or Tell a story with small, minor sips of hope sprinkled in, to have those unable to keep their eyes open, able to push through.
I'm sure there are other ways, but I'm also not a professional writer. lol
4. Lastly, don't worry. Write how you write. Do as you do. I know there's a want, and a need to look back at older chapters, but don't. Continue your story, feel it, dive yourself into it. Sometimes, you'll amaze yourself with what you can create. In the deepest, most vile, disheartening pits of slithering darkness, the smallest of lights shine like a beacon. Tell your story, and when the time comes, whatever tension, whatever broken character comes crawling out, when things hit the fan, and they finally stand up, you'll know it was all worth it. Goodluck, hero.
 

Alicerty789

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I'm writing a dark fantasy, where a grounded guy has to deal with the supernatural. Only 6 chapters are out currently and I recently re-read them at once. I feel like while I tried to maintain the tragic and grim atmosphere, it felt a bit too relentless, even after my attempts at giving little breathers here and there. If someone is kind enough to tell me how a 'reprieve from tense moments' should be done I'd really appreciate it.


If you decide to see the flaws yourself, then here is the link: The forsworn sovereign
İ think the best you could do is to slowly reaching to the light don't Rush it don't panic just slowly reach to the end and trust me if you do it correctly they will not able to relise that they readed 30 pages... Hope you good time!
 

LeilaniOtter

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Get into their minds. Experience what your characters are like, and use their five senses. *^^* The best way to tell your story the way it should be, is to get into the minds of the characters.
 

blackcrowcrowd

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I'm writing a dark fantasy, where a grounded guy has to deal with the supernatural. Only 6 chapters are out currently and I recently re-read them at once. I feel like while I tried to maintain the tragic and grim atmosphere, it felt a bit too relentless, even after my attempts at giving little breathers here and there. If someone is kind enough to tell me how a 'reprieve from tense moments' should be done I'd really appreciate it.


If you decide to see the flaws yourself, then here is the link: The forsworn sovereign
Sprinkle some comedy here and there and you should be good to go
 

Tilted_pen

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Mar 24, 2025
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Hello! I enjoy a good dramatic, dark, relentless story, though, I know it can also be overwhelming, and tough, to continue trudging through page, after page, after page, of incredibly cruel, daunting, and heartbreaking story for most people, including the writer while writing it.

From what I've experienced while reading, writing, and enjoying other people's works, it could be as simple as inserting something unusual, or out of place; Describing it for a paragraph before continuing on. Sprinkle it in, letting the people have their sips of water.

EX: A hell-scape of souls, tormented, and writhing in pain as the scream and wail, forever in the apocalypse of death and misery devouring the land of (insert random world). Our hero, crying, and terrified, having just lost his parents, and family, and sister of whom he cherished like no other, slowly feeling as though he, himself, was perishing under the scorching sun, breathless, and tired, wanting to surrender his life to the gods who ravaged his land, his home, turned and saw, of all things in this desolate waste, a flower.
Describe the flower, its color, its hues, the number of petals. name the flower. describe how the flower moved in the soft gust of fiery wind. how it felt to touch. how it smelled. Just a few lines to give the reader a breath of fresh air. and carefully, let the flower go. watch its petals, or the whole flower itself, fly off in the wind never to be seen again.
continue with the story.

I think Moby Dick did that, but in more extreme passages, diving headstrong into the madness of the captain's obsession of the white whale. Chapter, after chapter, of hunting, and lusting to see it dead. and then, random chapters talking about boats, or the sway of the sea, or just the insignificant seagulls soaring overhead. Lengthy inserts that felt like nothing; Jump cuts that had nothing to do with anything, just space to breath, and regain some sense of stability; Maybe even to pull the writer back toward his own humanity.

I'm also currently reading a book called Nevernight. Between chapters of an assassin, one moment, talking about the gruesome murders in detail, to describing metaphorically, and physically about s*x, to the next chapter of being hunted by soldiers that want to mercilessly capture, maim, and kill them, to a memory of, simply, playing with a small cat. All short chapters, each having tensions in their own specific way; Some lighter, some darker.

It really depends on what kind of writer you want to be.
1. Tell it how it is, no reprieve, no cuts, just full heart on your sleeve kind of story. Those with strong wills to press forward will love it.
2. Tell it in chapters, going from one extreme, to the other. A gory, dark story hidden within something softer, and lighter between chapters. There will be those that, either get confused, or can't follow along, to those that will enjoy the story, and understand where the character comes from while also understanding where they're headed.
3. Or Tell a story with small, minor sips of hope sprinkled in, to have those unable to keep their eyes open, able to push through.
I'm sure there are other ways, but I'm also not a professional writer. lol
4. Lastly, don't worry. Write how you write. Do as you do. I know there's a want, and a need to look back at older chapters, but don't. Continue your story, feel it, dive yourself into it. Sometimes, you'll amaze yourself with what you can create. In the deepest, most vile, disheartening pits of slithering darkness, the smallest of lights shine like a beacon. Tell your story, and when the time comes, whatever tension, whatever broken character comes crawling out, when things hit the fan, and they finally stand up, you'll know it was all worth it. Goodluck, hero.
I asked for writing advice and this guy gave me some deep life advice lmao.

The last part about what kind of writer I want to be was really helpful in sorting my thoughts out. Thank you
Sprinkle some comedy here and there and you should be good to go
The story starts from isolation and he's yet to meet other characters, but still he talks to himself and makes some witty statements. So I think that's enough for now, in that case.
 

DireBadger

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I tend to use sarcastic inner thoughts in my protagonist, the humor helps to defray the tension, especially during horrifying or dark scenes that may last several chapters.
 

Juia_Darkcrest

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I usually like to add a splash of comedy. This doesn't just include dark grim moments, but romantic, tense or even as a break in exposition moments.

If I cant find a way to end a conversation because its leading further than I wanted to go or the situation is getting too heavy, I drop my fall guy into the scene, and voila, I can end that narrative for now and move on.

Example; My MC woke up in a hospital bed to his 'boss' (Hel, Goddess of Death...err Dead Video Games) cuddling with him. They have an intimate moment, then as the situation was about to progress further than I wanted it to, I had her boss (Jesus) walk in on them, get embarrassed, then beat a hasty retreat, letting me end that scene.
 

Tilted_pen

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I usually like to add a splash of comedy. This doesn't just include dark grim moments, but romantic, tense or even as a break in exposition moments.

If I cant find a way to end a conversation because its leading further than I wanted to go or the situation is getting too heavy, I drop my fall guy into the scene, and voila, I can end that narrative for now and move on.

Example; My MC woke up in a hospital bed to his 'boss' (Hel, Goddess of Death...err Dead Video Games) cuddling with him. They have an intimate moment, then as the situation was about to progress further than I wanted it to, I had her boss (Jesus) walk in on them, get embarrassed, then beat a hasty retreat, letting me end that scene.
I agree with that strategy, it is also the best way and the only way to handle some situations. But I find it a bit frustrating personally. As I have been a reader to many stories I'm only left unsatisfied at such occurrences. Therefore I try to make it obvious that if a character is inserting himself mid conversation on a humorous or even some out of pocket talk, some other character makes observations on how it was deliberate, clearly showing that the interruption wasn't just 'coincidence.
 

Juia_Darkcrest

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I agree with that strategy, it is also the best way and the only way to handle some situations. But I find it a bit frustrating personally. As I have been a reader to many stories I'm only left unsatisfied at such occurrences. Therefore I try to make it obvious that if a character is inserting himself mid conversation on a humorous or even some out of pocket talk, some other character makes observations on how it was deliberate, clearly showing that the interruption wasn't just 'coincidence.
Heh well like anything, you cant use it too often, else it loses its effectiveness.

Another easily done thing is to have your MC do something mundane between the moments of tension, and having some introspection. Or POV change to another character, another protagonist or antagonist., or even a random reoccurring character.

It doesn't have to be something critical to the story, it can be used for world building. Something to alleviate the tension so you can move on to build to your next tense scene.
 
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