Prologue: yea or nay?

Prologue opinion

  • Pro- I genuinely enjoy most or all that I come across

    Votes: 24 66.7%
  • Con- I am not a fan for various reasons

    Votes: 12 33.3%

  • Total voters
    36

HelloHound

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Personally I've never been wowed by a prologue because it either takes the wind out of the sails narratively speaking or seems clunky and out-of-place but I love polls so ∠( ᐛ 」∠)_
 

Cipiteca396

Monarch of Despair 🐉🌺🪽🌊🪶🌑🐦‍🔥🌈
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It can't take the wind out of the sails because the story hasn't even started yet, you know?

Or, if it's between volumes, then that seems like a good way to intentionally slow things down.

Even a prologue that's not well made can just be ignored- that's why it's a prologue and not some dumb flashback or mid-fight info dump.
 

Representing_Tromba

Sleep deprived mess of an author begging for feedb
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I really enjoy prologues and think that they are great for starting an overarching plotline within the first few pages in a way that can be hinted towards later. It's like a hook for the series rather than the volume itself. That said, most prologues are poorly utilized or would fit better as part of the first chapter instead of a prologue. It may not even be necessary in some stories. It's hard to explain what makes a good prologue as it's dependant on the story itself but it's easy to spot a bad prologue. If the prologue is a bunch of stats or a wall of text explaining the world instead of letting you see it in action then it's a bad prologue. If the prologue simultaneously hooks you and sets up a mysterious plot point that will be revealed either later in the book or series then it's probably a good prologue.
 

ManwX

Im from a Timeline where nuclear war destroyed all
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Me with my 11k word prologue ? . YE.


dd0.png
 

nowme_cres

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Personally I've never been wowed by a prologue because it either takes the wind out of the sails narratively speaking or seems clunky and out-of-place but I love polls so ∠( ᐛ 」∠)_
Just depends on how it is done. The prologue is usually meant to hype the reader up and spoil them a bit.
 

TheEldritchGod

A Cloud Of Pure Spite And Eyes
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Depends.

I don't use them usually, and my story which has the worst reviews has one. However, from a narrative perspective, the prologue was absolutely necessary. That is because it contains information that ties everything together. I cannot take it out, even if I wanted to.
 

expentio

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I'll admit, it might've been clunky, but for my first story I did something like a prologue. Rather a character self-introduction of the two main characters where they tell the reader about themselves, their world and their place in it. Maybe there would've been another way to introduce the world, but it certainly helped to make clear from the start who the MCs are and that there are two of them. Also, the amount of things I could've shown before getting to the juicy parts of the story was limited. It might not have been perfect, but I still think the prologue did a decent job. Also, since it's a first-person story it helps giving a good first impression of the MCs thought patterns.
 

Kenjona

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I think it is not so much a Pro or Con. Is it necessary for the story? Some prologues seem to get in the way of the story, and other stories without one seem to need one. Need a third "Maybe" or "Depends" choice.
 

miyoga

Master Inuyasha will never find me here
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Like a lot of people have said (here and in a few other threads) it really depends on if the info in the prologue can be reasonably and logically worked in elsewhere or if it's just an info dump that *may* not be necessary. Why "may"? For my story, I needed to actually build the world in a literal sense. I used a creation myth that anyone can google to provide a bit of context on my character and the things that happen much later in the original story-line. Being a bit more of a fan fic, I then proceeded to throw in all sorts of references and jokes possible while still keeping the logic of everything. Examples I used would be like how various deities from the different pantheons are actually complete dicks to everyone else, a few old memes like Vegeta's "It's over 9000!" I even compared all of these to personalities of my friends and classmates from back in high school.

Short version is that the prologue shouldn't take away from a story, but it can and should enhance it.
 

RepresentingCaution

Level 37 ? ? Pronouns: she/whore ♀
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I can't even remember if any of the novels I've edited have a prologue. I've rejected more than I can count for an infodumpy prologue, though.

My son would like to add:
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EchoingRuby

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The thing I hate is when a prologue is marked as a prologue when it actually should be chapter 1. If a "prologue" can't be skipped because the reader will have no idea what's going on then it's not a prologue.

Which of course means I have to read every prologue for every new story I start because I can't tell beforehand if it's required reading.
 

LunaSoltaer

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The thing I hate is when a prologue is marked as a prologue when it actually should be chapter 1. If a "prologue" can't be skipped because the reader will have no idea what's going on then it's not a prologue.

Which of course means I have to read every prologue for every new story I start because I can't tell beforehand if it's required reading.

Dang, sounds like itd be a QoL improvement for you if a prologue had some notes saying if you could skip it
 

Tabula_Rasa

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Some are good
or I just like it

Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the Galaxy lies a small unregarded yellow sun.

Orbiting this at a distance of roughly ninety-two million miles is an utterly insignificant little blue green planet whose ape-descended life forms are so amazingly primitive that they still think digital watches are a pretty neat idea.

This planet has - or rather had - a problem, which was this: most of the people on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movements of small green pieces of paper, which is odd because on the whole it wasn't the small green pieces of paper that were unhappy.

And so the problem remained; lots of the people were mean, and most of them were miserable, even the ones with digital watches.

Many were increasingly of the opinion that they'd all made a big mistake in coming down from the trees in the first place. And some said that even the trees had been a bad move, and that no one should ever have left the oceans.

And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, one girl sitting on her own in a small cafe in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.

Sadly, however, before she could get to a phone to tell anyone about it, a terribly stupid catastrophe occurred, and the idea was lost forever.

This is not her story.

But it is the story of that terrible stupid catastrophe and some of its consequences.

It is also the story of a book, a book called The Hitch Hiker's Guide to the Galaxy - not an Earth book, never published on Earth, and until the terrible catastrophe occurred, never seen or heard of by any Earthman.

Nevertheless, a wholly remarkable book.

In fact it was probably the most remarkable book ever to come out of the great publishing houses of Ursa Minor - of which no Earthman had ever heard either.

Not only is it a wholly remarkable book, it is also a highly successful one - more popular than the Celestial Home Care Omnibus, better selling than Fifty More Things to do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters Where God Went Wrong, Some More of God's Greatest Mistakes and Who is this God Person Anyway?

In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch Hiker's Guide has already supplanted the great Encyclopedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects.

First, it is slightly cheaper; and secondly it has the words Don't Panic inscribed in large friendly letters on its cover.

But the story of this terrible, stupid Thursday, the story of its extraordinary consequences, and the story of how these consequences are inextricably intertwined with this remarkable book begins very simply.

It begins with a house.
 
D

Deleted member 54065

Guest
As someone who uses prologues in his story, I don't give a damn on whether a reader likes a prologue or not. You didn't want prologues so you skipped mine and now is lost in the story? Not my problem.

Thing is, I try to make everything in my narrative 'useful' to the other scenes/chapters. Even side chapters, while seemingly 'skippable' for now, can lead to a breakthrough in the next.

What distinguishes my mains from prologues/sides is usually about the POV/focus of the narrative, so the audiences won't be too confused. Or for some of my prologues, a way to pick up from the last volume I wrote.

Is it a rule in the English pop literature writing? I don't know. Do I have to follow it? I have my style, so I don't give a damn.
 
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