How to not write a tragedy?

Hoshino

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I was just writing a wholesome story of two couples and i just kept writing, when i read the story the couple broke up in the next few lines, the girl killed the boy, harvested his organs, then ate it, and many unspeakable things i can't mention.

Why do everything i write truns up either really depressing or really dark?


Am i fated to write only tragic novels?
 

CharlesEBrown

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I tend to gravitate towards either epic fantasy, horror, or super-heroes myself, regardless of what I start to write. It takes discipline and forcing myself to do something that does not eventually become one of these things (or a mix of them).
You just have to set a challenge for yourself and stick to it if you can, force yourself to grow.
For example, your attempt at a romance failed in an epically silly manner from your description - try writing a dark comedy, putting silly twists in whenever you think it is turning to tragedy.
Also, write two versions of every scene - one that turns to your basic nature as a writer, and one that goes in a different direction altogether.
In some cases you can keep both - the darker version is the imagination of one character, what they want to or fear they will do, and the other is the reality. The TV series Dexter had some moments like this in the better seasons (and the original novel did as well; only read two of them and the second was more straightforward than the first).
 

Valmond

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Buddy, that’s a question I cannot answer myself. One of the GL’s I wrote initial plan was so nice. Then my brain kicked in and we know how that went. :meowsip:

Fortunately, I am also creative enough to get any ending I wish. :blob_popcorn:
 
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Clo

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Technically, all I want to write are stories where good triumphs, that shows how hope and optimism should be held on to.

It doesn't prevent me from taking some deep, dark turns into some of most tragic, existential dread I have ever read.

Because I think that makes the victory and ending feel earned.
 

Hoshino

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Send your characters to therapy, or at least have another character intervene to change their course of destruction.
I highly doubt they'll listen to the therapist. They'll just break the therapist mentally.
 

CharlesEBrown

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I highly doubt they'll listen to the therapist. They'll just break the therapist mentally.
That could be a great source of dark comedy - the therapist trying to help them and steadily going just a wee bit more insane each time...
 

Zagaroth

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I was just writing a wholesome story of two couples and i just kept writing, when i read the story the couple broke up in the next few lines, the girl killed the boy, harvested his organs, then ate it, and many unspeakable things i can't mention.

Why do everything i write truns up either really depressing or really dark?


Am i fated to write only tragic novels?

Well, it looks like you are a discovery writer, but you are creating characters who make strange choices.

So, I think you need to go back and start asking yourself 'why'.

Why did they break up? Why would this cause her kill him? Why does harvesting his organs seem like a good idea? Why is she not simply horrified at her actions and calling her (parents/sibling/friends) for help? Why is she not repulsed at the idea of eating his organs, and why would she think to do that in the first place?

This does not seem like a chain of events that would happen with most people or characters. So, do you have a character whose personality would cause them to do this? Or are you reaching points where you don't have a feel for what should happen, and so you reach for something dramatic? And after that you need something even more extreme, creating a chain of ever worsening events.

If these actions are in-character, then you have trouble creating a mentally healthy character. I am not sure how to help you here.

If these actions aren't because of the character but because you need to have the character *do* something, then you need to fix that. It will slow you down a lot, but you are going to have to start double checking yourself and asking *why* a character is doing something. If there is no good answer to why they are doing something, then don't write them doing it.

That's my big take away really. Don't write a character doing something unless you have a good reason for them to be doing it.
 

soupsabaw

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This problem is sooo funny because in my current work, I literally cannot stop making one of the pairings just suffer. It's kind of addicting... However, in seriousness, it's not always the correct way to go. Make sure there's reasoning behind it. Why are they like that? Why did they do that? Why did they have to see that? How will it effect them? Questions of that nature. If you can't come up with a good reasoning, maybe writing a tragedy isn't quite meant to be.
 
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