In all honesty, I didn’t even think of the blurb as being an important part of traction.
Think about it this way: the market is really, really diluted with many ai slops, so naturally readers are much more cautious when reading new authors’ work. This unfortunately raises the difficulty level if you want to stab at a genre that isn’t trending while being new.
The first thing a reader would look at, well, after the title, cover… is the blurb. If they like it, they’ll click on the first chap. If they like the first chap, they’ll add your book to their reading list or continue for a few more chaps and then add it. At least, that’s from my experience as a writer.
As for the blurb, I can’t tell you what to do because well, I’m not you and I didn’t plan your stories. My blurb did not tell readers everything, but it told them something they wanted, be it:
-unique voice, but it is difficult to have a voice, so you need a unique plot. By unique, I don’t mean adding five different made up jargons you create, but something that makes you wanna read it.
-Like, let’s look at this:
In Tokyo, brilliant yet disaffected high school student Light Yagami finds the “Death Note”, a mysterious black notebook with rules that can end anyone’s life in seconds if their name is written in it, as long as the writer knows both the target’s true name and face.
—> Instant click. Because the premise was refreshing at the time and it was unique among stories.
So I really can’t tell you what’s best. You need to read your blurb from a reader’s perspective and decide what works best.
I hope that helps.