It's something worth experimenting. I'm dabbling into using onomatopoeia myself, alongside literary descriptions.
Mostly, it depends on your audience/"type" of story - in traditional, professional-level stories onomatopoeia is a no-no stuff, because it's seen as simplistic. In more lighthearted narratives? Go for it. Personally, I think it's a tool as any other: not good or bad in and of itself, but depending on the writer's skill.
Adopting both approaches definitely has merit. Just be mindful to not mix them too much, as TsumiHokiro above points out.
Regards,
Sagacious