The unwritten pitfall of writing a supernatural sidekick character who's always with the protagonist but invisible to most of the cast is that sometimes you just forget they exist. You'll write chapter after chapter before realizing they haven't spoken a word.
Mr. Morale is such a fascinating album, which is why I've recommended so many songs off it. Just an excuse to talk more about the record. Definitely Kendrick's most personal, conflicted work, but it's also his least immediate. Not all the songs bang, which is why I don't return to it as much, but the ones that do stand out a lot.
I feel like there's a profile picture renaissance going on. Everybody's getting new and even personalized profile pictures, highlighting their individuality.
It makes me want to finally change my profile picture too
But sadly part of my branding is me being a shrimp in name only. I can't afford to have any media actually related to shrimp
That thread about sensitive subject matter reminded me of a debate I've been having with myself lately, regarding how much bad you can make your protagonist do before you lose your readers.
We all love flawed protagonists, and in some works, these protagonists can be straight up evil. But where's the line?
You know, I've never actually given these guys a listen. This is kinda wacky and fun
Ireland's such an interesting place, and Irish identity equally so. I for one enjoy muh politics in media, as it's a good reminder of how interconnected everything and everyone is.
I first discovered this piece (look at me calling it a piece instead of a song/track) from an obscure PC game called Magic Builder. It was a pretty weird and clunky game, but because of it, Arabesque #1 will always have a special place in my heart. I'm not so sure what's Arabesque about it, but it's cool.
It's name is Borgoraforty. It likes to drink rancid milk and eat stale crackers.
We have long conversations in the public park while I feed it.