As a reader, I’ve always felt that villains are often where a story’s honesty shows up most clearly. Writing about immoral or criminal acts doesn’t bother me when it feels purposeful and grounded in character, rather than done for shock value.
I don’t need to agree with a villain to be...
I think your current approach is the stronger one, and it shows intentional growth rather than reactionary revision.
What stood out to me is that you didn’t just “cut worldbuilding,” you redistributed it. The prologue establishes tone and scale for readers who enjoy mythic framing, but it...