Queenfisher
Bird?
- Joined
- May 29, 2020
- Messages
- 333
- Points
- 108
I was just lurking around all the threads about misunderstandings, reading outside one's interest, opinions, etc, and realized that I always had this problem with writing and reading in writer groups.
The notion of Constructive Criticism. By this, I don't mean punctuation and grammar. And I don't mean obvious plot holes either that are fixable/dismissible based on how much of the story they break or improve by existing. Neither of these is something that gets justified as being Constructive Criticism (tm) -- so I only mean here the vaguer, much less objective perceptions of what is solid criticism and what isn't.
Please ask yourself if you should comment in this thread if:
1) you ONLY think this is a rant or that it is a rant fueled by my personal issues with someone who I disagreed with (false. I am a researcher first and foremost. I have a curious mind. I like expanding my knowledge with Good Faith arguments);
2) you do not know what Good Faith argument is;
3) you do not know what a philosophical essay is and how to struggle with definitions of concepts that are loose and vague and fall apart when the conventional beliefs are introduced in the equation and when trolls can abuse such muddy concepts for their benefit;
4) you think I want this to be /changemyview. No. I want to refine my arguments and gain insight on how to approach formulating my thoughts in a more accessible manner if I want to actually publish a real essay on the same topic one day;
5) you think that I argue against opinions. I am not. I argue against the need to give weird and pretentious names to ordinary opinions for no reason -- which the moniker "Constructive Criticism" is, to my perception.
#
This concept can excuse almost everything that can be labeled as negative criticism, the definition only depending on who uses it.
If it's Critiquer ---> Author , then he can excuse with it any offense he might give to the latter. For example, not liking a certain genre or even understanding how it works might give a particular reader a leeway to say literally any crap about it. Escapist wish-fulfillment would be the most famous example where most people who criticize it for stupidity and cliches, don't read for the same reason its intended audience reads it. Therefore, their CC is not that Constructive. Say, if I criticized Vanilla Ice Cream for it not being Chocolate-flavored, that would not be CC. I would only be trying to make it something it isn't, no matter how bland or tasteless I might find it.
If this concept is flung around by the author, Author ---> Critiquer (where the author claims something is NOT CC) -- it's a way for him to dismiss any feedback he doesn't agree with.
In my personal experience -- NO criticism that I've received in my entire life has ever been Constructive by this logic:
If you agree with it, then it isn't that Constructive to you because you would have fixed it anyway. If you disagree with it, no amount of persuasion, coercion and calls to reason from your Constructive Critiquer will budge your opinion or make you change your story. Thus, neither is truly Constructive. The only thing the latter will do to you is ruin your mood without changing anything. The former one might help but is not necessary -- you already know if something is wrong by yourself.
#
Example:
a) usually, I get the best critiques when I ask for something specific. If I feel there is something missing or something wrong with my book and I ask someone's opinion (in a Yes/No format) -- then it is not CC. It's useful to me, but literally it's either confirming or dispelling the doubts I already have;
b) if the CCquer gets something wrong about my book that will potentially improve it, yet I fundamentally disagree -- he will not be able to convince me whatever he says. Unless a significant amount of time passes and I naturally come to the same conclusions on a separate occasion. I don't know how this works exactly but not once did a CC change my opinion. My opinion changed from being exposed to positive examples encountered "in the wilds" rather than from this one instance of targeted negative CC. When I came back to the book that had received this kind of negative CC, I already became the person from the above point (a). Where I see something wrong with my book and want to fix it -- not somebody else. Reading a CC in that way will only confirm or dispel the doubts I already have. But before I have the chance to grow or change my perspective, all this CC is doing is depressing me, stopping me from writing, and antagonizing me. Nothing more.
(Also the huge factor in this is the storytelling approach. I have not seen truly bad approaches to storytelling in fiction. Only different traditions that each necessitate an acquired taste. So whenever I think back to CCs I have received in the past that I have later grown to agree with, they had always been pushing me to move from a niche-tradition of storytelling to a mainstream one. That's basically it. So I can't really say it is an improvement as much as it is conforming to a more accessible taste).
c) as an author, when you receive a "CC" that you disagree with heavily -- all you can do is think about how this person wants you to write something you are NOT writing and something you might not even enjoy writing. In which case you just get annoyed at them because most "CC" advice is about how this specific reader's taste differs from yours and what you can do to alleviate that. Even when they are trying their damnedest to convince you -- they can't. You can almost always use the mental shield of "do they not get what I'm trying to do here? Did they not give my story the good faith of trying to understand it instead of twisting it into something it's not? Well, then how can they expect me to give their "CC" the good faith treatment in return? I might just dismiss their CC as they had done to my book."
#
It certainly takes time and patience to learn from CC. But all I'm usually learning from them is to dismiss them in order to be the bigger person out of the two of us (an author who is thankful for any feedback vs the Reader who has no idea what he is reading and why and wants to make you write differently... just because). ¯\_(ツ)_/¯ I have never seen truly good advice come from them that I couldn't acquire elsewhere and in a much more natural and receptive state.
Which, to tl;dr people out here:
All "Constructive Criticisms" I have personally encountered have been ego-trips for the Critiquer to attack me with. And the ones I've given out to fellow writers, too. There is simply no way to make a CC that doesn't fall into the [Author already agrees with you and would change the story regardless of your critique ==> the Critique is not Constructive] or [Author disagrees with you and will not change their opinion. You can do nothing about it].
Thus, Constructive Criticisms don't exist.
Then again, that's just me. Can any of you define CC in a way that wouldn't fall into the two modes described above?
The notion of Constructive Criticism. By this, I don't mean punctuation and grammar. And I don't mean obvious plot holes either that are fixable/dismissible based on how much of the story they break or improve by existing. Neither of these is something that gets justified as being Constructive Criticism (tm) -- so I only mean here the vaguer, much less objective perceptions of what is solid criticism and what isn't.
Please ask yourself if you should comment in this thread if:
1) you ONLY think this is a rant or that it is a rant fueled by my personal issues with someone who I disagreed with (false. I am a researcher first and foremost. I have a curious mind. I like expanding my knowledge with Good Faith arguments);
2) you do not know what Good Faith argument is;
3) you do not know what a philosophical essay is and how to struggle with definitions of concepts that are loose and vague and fall apart when the conventional beliefs are introduced in the equation and when trolls can abuse such muddy concepts for their benefit;
4) you think I want this to be /changemyview. No. I want to refine my arguments and gain insight on how to approach formulating my thoughts in a more accessible manner if I want to actually publish a real essay on the same topic one day;
5) you think that I argue against opinions. I am not. I argue against the need to give weird and pretentious names to ordinary opinions for no reason -- which the moniker "Constructive Criticism" is, to my perception.
#
This concept can excuse almost everything that can be labeled as negative criticism, the definition only depending on who uses it.
If it's Critiquer ---> Author , then he can excuse with it any offense he might give to the latter. For example, not liking a certain genre or even understanding how it works might give a particular reader a leeway to say literally any crap about it. Escapist wish-fulfillment would be the most famous example where most people who criticize it for stupidity and cliches, don't read for the same reason its intended audience reads it. Therefore, their CC is not that Constructive. Say, if I criticized Vanilla Ice Cream for it not being Chocolate-flavored, that would not be CC. I would only be trying to make it something it isn't, no matter how bland or tasteless I might find it.
If this concept is flung around by the author, Author ---> Critiquer (where the author claims something is NOT CC) -- it's a way for him to dismiss any feedback he doesn't agree with.
In my personal experience -- NO criticism that I've received in my entire life has ever been Constructive by this logic:
If you agree with it, then it isn't that Constructive to you because you would have fixed it anyway. If you disagree with it, no amount of persuasion, coercion and calls to reason from your Constructive Critiquer will budge your opinion or make you change your story. Thus, neither is truly Constructive. The only thing the latter will do to you is ruin your mood without changing anything. The former one might help but is not necessary -- you already know if something is wrong by yourself.
#
Example:
a) usually, I get the best critiques when I ask for something specific. If I feel there is something missing or something wrong with my book and I ask someone's opinion (in a Yes/No format) -- then it is not CC. It's useful to me, but literally it's either confirming or dispelling the doubts I already have;
b) if the CCquer gets something wrong about my book that will potentially improve it, yet I fundamentally disagree -- he will not be able to convince me whatever he says. Unless a significant amount of time passes and I naturally come to the same conclusions on a separate occasion. I don't know how this works exactly but not once did a CC change my opinion. My opinion changed from being exposed to positive examples encountered "in the wilds" rather than from this one instance of targeted negative CC. When I came back to the book that had received this kind of negative CC, I already became the person from the above point (a). Where I see something wrong with my book and want to fix it -- not somebody else. Reading a CC in that way will only confirm or dispel the doubts I already have. But before I have the chance to grow or change my perspective, all this CC is doing is depressing me, stopping me from writing, and antagonizing me. Nothing more.
(Also the huge factor in this is the storytelling approach. I have not seen truly bad approaches to storytelling in fiction. Only different traditions that each necessitate an acquired taste. So whenever I think back to CCs I have received in the past that I have later grown to agree with, they had always been pushing me to move from a niche-tradition of storytelling to a mainstream one. That's basically it. So I can't really say it is an improvement as much as it is conforming to a more accessible taste).
c) as an author, when you receive a "CC" that you disagree with heavily -- all you can do is think about how this person wants you to write something you are NOT writing and something you might not even enjoy writing. In which case you just get annoyed at them because most "CC" advice is about how this specific reader's taste differs from yours and what you can do to alleviate that. Even when they are trying their damnedest to convince you -- they can't. You can almost always use the mental shield of "do they not get what I'm trying to do here? Did they not give my story the good faith of trying to understand it instead of twisting it into something it's not? Well, then how can they expect me to give their "CC" the good faith treatment in return? I might just dismiss their CC as they had done to my book."
#
It certainly takes time and patience to learn from CC. But all I'm usually learning from them is to dismiss them in order to be the bigger person out of the two of us (an author who is thankful for any feedback vs the Reader who has no idea what he is reading and why and wants to make you write differently... just because). ¯\_(ツ)_/¯ I have never seen truly good advice come from them that I couldn't acquire elsewhere and in a much more natural and receptive state.
Which, to tl;dr people out here:
All "Constructive Criticisms" I have personally encountered have been ego-trips for the Critiquer to attack me with. And the ones I've given out to fellow writers, too. There is simply no way to make a CC that doesn't fall into the [Author already agrees with you and would change the story regardless of your critique ==> the Critique is not Constructive] or [Author disagrees with you and will not change their opinion. You can do nothing about it].
Thus, Constructive Criticisms don't exist.
Then again, that's just me. Can any of you define CC in a way that wouldn't fall into the two modes described above?
Small Summary of what this thread has been thus far said:Me: This particular instance of a cultural concept seems to do more harm than good by being defined so loosely. I perceive it as an instance of the Emperor's New Dress. Who can discuss this with me?
First few posters: 1) The Dress exists -- and you have eyesight problems! (ignoring the fact that Emperor's New Dress is an allegory therefore I cannot truly have eyesight problems but rather lack faith), OR 2) Please shut up, OR 3) You are attacking the entire Fashion Industry?!?!? (which is a strawman rendition of my original point, of course).
Later posters: Actually valid arguments and examples of respectful discourse even if I might not agree with some of the tangents from what I perceive as my original point. I will address them in the next post because those replies are actually what I was looking for when I began this.
Last edited: