hello sincerely i am a bit overwhelmed, i could use the sincere opinion of other readers to know if there is a good or bad guy in the story, i have been creating it since i was 8 years old and i care a lot about the narrative.
I would love to receive opinions, whether they are contrary or not, the important thing is not to keep anything back, because I made some changes in the narrative style from the first chapters to the 12th or 16th chapter, I don't know how the style is different, if it pleases or not?
it's seinen so expect some strong stuff.
everything is welcome and thanks for reading, I hope to get at least one person willing to help me in that.
the link is this
https://www.scribblehub.com/series/1465764/a-journey-of-nothingness/
Good day to you. Before we start, please keep in mind that I am the worst author around here, capable of producing nothing more than shit when it comes to writing. Take any of my advice with a grain of salt. With that out of the way, let me have a go at your story:
Power in this world I was born into is one of the most revealing themes, because the moment you’re born, destiny assigns you a specific gift. And if you’re born into the lower class, you’ll already have enough work cut out for you.
This sentences are readable, but, IMO, a but clunky and the word born repeats three times. I think:
because at the moment of your birth
Should help break the monotony.
“How’s our daughter?” Pedro asks.
“It’s a boy, Pedro!” María replies.
“Seriously? You’re not thinking this is what I actually wanted, are you?”
“If you want to spend time with your kids, start by dropping your obsession with training them to exhaustion. Look at Nazael and Sacha—all they do is fight and test every spell that pops into their heads.”
“What? That’s not on me. I’m just too strong and a father. They got it from the factory, so don’t blame me. I’m teaching them to control their strength.”
“Stop bragging about your strength. Their magic talent comes from their biological mother. And I hope you’ve told your kids we’re expecting a child together, right?”
This is expository dialogue. It doesn't feel natural. Hm... how to fix, how to fix... Aha!
Look at Nazael and Sacha—all they do is fight and test every spell that pops into their heads.
"You have already spoiled Nazael and Sacha. Instead of chasing girls and boys, they fight and cast spells without a break. I want to be a grandma one day!"
Not much better, but sounds less robotic.
“How’s our daughter?” Pedro asks.
“It’s a boy, Pedro!” María replies.
“Seriously? You’re not thinking this is what I actually wanted, are you?”
Here is the problematic part. Pedro is clearly joking, teasing his wife, so I think using 'jokes' or 'teases' in place of 'asks' is a must to make it less formal.
As for the third sentence... Dunno. It doesn't fit well into dialogue, it doesn't come organically, and I don't know how to replace it. It is as if it is a butler speaking to us, not a human being.
Suddenly, Pedro began:
“My children! I have great news: you’re getting a new baby brother.”
Hearing this, neither child reacted or looked up. Pedro pressed on:
“María and I are having a child together.”
“We heard you, Dad,” Nazael says flatly.
“Aren’t you happy about a new sibling?”
“Already knew. Her belly made it obvious,” Nazael replies.
Pedro chuckles.
“You’re so much like your mother!”
Several problems. First, formatting. It kind of works. It isn't right grammatically, but it clicks to me, as this is a fast exchange. Next. You chose to write in the present tense, but here you are shifting tenses. Pick one and stick to it.
The room tensed with awkward silence. Nazael pushed his chair back.
“Not hungry anymore. Goodnight!”
He teleported away instantly.
“Brother! Brother!” Sacha shouted, but got no reply.
María returned, glanced at Pedro, and mocked:
“Sometimes I wonder how a clueless man like you became Earth’s protector. Shocking, really!”
Sacha giggled before asking:
“Have you picked a name for the baby?”
María and Pedro exchanged looks.
“A name?”
“Right, Pedro. What are we naming him?”
“What? You hadn’t thought about it?”
“You’re his father—he’ll take your name, won’t he? Think of something, you imbecile!”
“…”
“Guess you’re both clueless,” Sacha concluded, teleporting to the moonlit hilltop. At the cliff’s edge, Nazael sat staring at the sky.
This reads like a script to a comic or a cartoon. Not a novel. He teleported, okay, but how? What does it look like? Is it via a portal, a sudden vanishing? If I can't paint stuff in my head (and you haven't given us any descriptions yet), I can't picture the scene.
“Hey.”
“What?”
“You think one of those stars is Mom? Like in the stories?”
“…Probably. If the stories are true, she’s watching and protecting us from up there.”
“I know you’re not happy about our new mom.”
“She’s not our mom.”
“But—”
“She’s not. End of story.”
“Don’t be selfish, Nazael. She’s the only one who eased Dad’s pain and endless thirst for revenge. Now he can smile without faking it—all thanks to her. Give her a chance, or—”
“Leave if you’re gonna rant all night.”
“You’re naïve. Anyway, I’m dead tired.”
She took three steps, then paused.
“It’s a boy, by the way. I’ll train him. He’ll have María’s kindness, not turn into a hollow-headed fool like you.”
“What’d you say?!” Nazael roared, his Ether surging so fiercely the forest trembled.
Sacha grinned sweetly.
“Nothing. Just excited,” she said, waving before teleporting away.
After she left, Nazael muttered:
“I won’t talk to a traitorous coward who abandoned everything. And I refuse to see a human-blooded bastard in my family.”
“Those damn humans… I hate them!”
His rage unleashed a ferocious gale, shaking trees for three kilometers.
This is a solid foundation for the future brewing conflict. The plot is here; you just lack intermediate stuff. Visuals, descriptions, they are the glue to help your story grab ahold of readers and get them into the meat of the story. Don't add too much, or you risk boring them, but don't give them nothing either.
Also, you seemed to have decided on the past tense.