How do you objectively analyze your story

ACertainPassingUser

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What parameter do you use to analyze how good is your story ?

What questions need to be asked before saying whwter a story is good enough or not ?
 

HellerFeed

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If you think your story isn't good enough, then what's the point in writing!
As once a legend once stated "Beleive in yoruself" - Naruto hokaga
 

Succubiome

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Look, if your story is bad, you should write more to get better at writing.

If your story is mediocore, you should write more to get better at writing.

If your story is good, you should write more because hey, it's a good story, and also to get better at writing.

Analyzing specific aspects of your story can be useful, but "good vs bad" isn't in itself a useful judgement if you wanna be a good writer.
 

Rhaps

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My three quality checks when I write:

Am I having fun writing?
Is the story readable?
Is the story controversal enough?

The first one is always the most important.
 

BlackKnightX

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It's all about how I feel when I read it. Preferably, the best way is to put it away for a while and then come back to it. That way, you'll be able to approach it with a fresh eye and spot mistakes more easily. If you can't afford to do that, the same principal still applies, which is to trust your instinct as a reader.

If I get bored reading some part even though it's necessary to the plot, then it needs to change. I can either make it more interesting, somehow, summarize it, or cut it out entirely and only leave hint of it here and there.
 
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TheMonotonePuppet

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What parameter do you use to analyze how good is your story ?

What questions need to be asked before saying whwter a story is good enough or not ?
I have a lot of objective parameters that my story must fulfil before it is good enough.

First off, I must read it in a very droll, dreary voice, pausing at the appropriate moments that I have created with my punctuation, italics, bolding, coloring wording choices, etc. If I cannot feel the correct character of the POV in the pacing of the story, if the flow does not match the flow I want the reader to perceive, then I must fix that up. Breaking up or joining sentences with punctuation and eliminating or adding sentences to create the right speech pattern.

Second off, I skim what my story like a really exhausted reader that just wants the bare gist of the story right in the morning. Oftentimes, I will need to add more detail for the exhausted reader, otherwise they'll have to go back, and for the average reader who just in general misses parts, I need to cover certain aspects that they would otherwise miss. Helps me catch when I am jumping subject too awkwardly between paragraphs as well, like accidentally jumping from description of a forge made of molten flesh to Crusader father's foreboding lecture that the MC will become a trashy Magma junkie back to forge made of molten flesh. That's a kind of awkward, non-cohesive structure, since I don't even have anything to make it obvious to the reader that the MC is jumping around in thought. I'm instead just jerking around the reader on a tight leash to where I want to go, rather than where it is easiest for the reader to read.

Third off, I copy and paste the story to various writing websites. The different writing windows of each website and the differing fonts/paragraph spacings/overall formatting helps mix it up and make the story more fresh to edit.

Fourth off, it just needs to pass the fifty grammar checks (how do people keep finding grammar mistakes?!?!?! GAAAAAAHHH!!!).

Fifth off, the dialogue needs to sound like it can occur outside of my pages, and not make you think that it's two children play-acting their favorite power fantasy (which is a trap I fall into one too many times).

Sixth off, I check my descriptions, putting my imagination to work as I am reading it for the first time. What does every word evoke to me? Ignore the story itself. As far as I'm concerned, these words exist in a vacuum. When I string one word after the other, what image does it make? If it's not what I want my reader to think, then I need to go to the thesaurus in my brain and replace the words or even paragraph to make the reader think exactly what I'm thinking. I don't always succeed. In fact, I would not be surprised if I rarely succeed. But it is one of the biggest draws of being a writer for me. Can I make the reader think what I'm thinking?
 

RepresentingWrath

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I could give you a list, but I don't feel like working.
No Ira Glass quote?
 

J_Chemist

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So long as I enjoy what I'm writing, I'm good. If it's a drag, then it's probably going to come out terrible. I've made myself cry a few times so there's that.

If it's another story, then if I don't like it I drop it. Easy as that.
 

MajorKerina

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It’s typically just screaming and running around realizing how many plot threads I have and how the heck I’m ever going to resolve them. I figure, if I don’t call attention to something, then if no one remembers it maybe it doesn’t really matter.

I started out as a dumb little English major so whatever I make my brain is automatically trying to fit it all together like a 3-D puzzle piece so if my muse and my mind come up with something clever too cohesively combine disparate elements and provide depth of understanding and analysis I’m stealing it and saying that it was the plan the whole time.
 
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