Lone_Crane
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https://www.awpwriter.org/magazine_...ays_distance_point_of_view_in_fiction_writing
I first read this essay years ago in a book called Alone With All That Could Happen by David Jauss, which has since been republished under the title On Writing Fiction: Rethinking Conventional Wisdom About the Craft. The essay offers a much more nuanced look at point of view than you will usually find.
If you'd like to delve deeper into the subject, I highly recommend the book, The Rhetoric of Fiction by Wayne C. Booth, which is more literary theory than some might prefer, but is also the most complete look at POV and some other topics that I have seen thus far.
In my opinion, classifying works of fiction according to their person tells us virtually nothing about either the specific works or point of view in general. As Booth has said, "(W)e can hardly expect to find useful criteria in a distinction that would throw all fiction into two, or at most three, heaps. To say that a story is told in the first or the third person will tell us nothing of importance unless we describe how the particular qualities of the narrators relate to specific desired effects." In other words, we need to focus on the techniques a narrator uses, not his person. And as Booth has pointed out, all narrative techniques are available to all narrators, regardless of person. For example, first- and third-person narrators can, and do, tell us the thoughts and feelings of other characters.
I first read this essay years ago in a book called Alone With All That Could Happen by David Jauss, which has since been republished under the title On Writing Fiction: Rethinking Conventional Wisdom About the Craft. The essay offers a much more nuanced look at point of view than you will usually find.
If you'd like to delve deeper into the subject, I highly recommend the book, The Rhetoric of Fiction by Wayne C. Booth, which is more literary theory than some might prefer, but is also the most complete look at POV and some other topics that I have seen thus far.
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