Stoic and Reserve Characters

LMStephens

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I need some help. How do you write stoic and reserved characters?

Ok, I have a character in my story who is an angry person but they keep most of their anger inside. They really only direct their anger at one person who they view as annoying. In addition, they don't care about, for instance, how blue the sky is or how pretty the flowers are. I have been told that my story lacks description and I have also been told that I need to connect the descriptions to my characters. How can I do that with a character who doesn't care about those things?

Next, how do I write reserve characters? In my story I have characters who are college professors. Now, when I was in college, I viewed my professors as being reserved and boring so that's pretty much how I write my characters. How can I keep their reservation and make them interesting at the same time?
 

Topgun1908

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It might not be the best way to describe the angry person who doesn't care but one way to do it is by having some other character point out those artistic type things and then have the angry person say they don't much care for them and give a reason why. Examples could be stuff like "I just never took the time to think about stuff like that." "Nothing to gain from looking at the flowers." If you come up with your own reason that fits the context it might help in describing him. Though if I'm gonna be honest, in my opinion the best way to describe a character's thought process is to just have a chapter in their point of view.
 

K_Jira

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Personally, for me, when I write those kinds of characters I will add more mystery to them to not make them boring. Since they don't reveal their emotions much, I rarely write about their thoughts. I just write their actions to let the readers guess why are they doing it and reveal the real reason later. Another thing that can help is probably from dialogues and their reactions/commentary to things around them. The characters' personalities can be seen in how they speak. Whether they speak in short sentences, in impatience, in an uninterested manner, etc.

Hope this helps~
 

LMStephens

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Personally, for me, when I write those kinds of characters I will add more mystery to them to not make them boring. Since they don't reveal their emotions much, I rarely write about their thoughts. I just write their actions to let the readers guess why are they doing it and reveal the real reason later. Another thing that can help is probably from dialogues and their reactions/commentary to things around them. The characters' personalities can be seen in how they speak. Whether they speak in short sentences, in impatience, in an uninterested manner, etc.

Hope this helps~
Can you give me an example?
It might not be the best way to describe the angry person who doesn't care but one way to do it is by having some other character point out those artistic type things and then have the angry person say they don't much care for them and give a reason why. Examples could be stuff like "I just never took the time to think about stuff like that." "Nothing to gain from looking at the flowers." If you come up with your own reason that fits the context it might help in describing him. Though if I'm gonna be honest, in my opinion the best way to describe a character's thought process is to just have a chapter in their point of view.
Maybe I should make a sheet for each character listing their personality traits and their likes and dislikes and what they do or don't care about.
 

Snusmumriken

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Concentrate on things they do care about instead. No matter how stoic or uncaring they might be there still should have some things to care about. If there are none you are really writing some sort of robot or worse a cold wall and these require a completely different narration. If you want to talk about the sky - use supporting characters for that instead.

Reserved in speech doesn't mean reserved in thought - if this is 1st person - explore their inner world. If not give them topics they excel at and have them speak up when things relate to these topics. And make sure they dont small talk - all they say should have a significant meaning and purpose to be said.
 
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I need some help. How do you write stoic and reserved characters?
Don't confuse Stoicism with lack of emotion.

From Google:


1.
the endurance of pain or hardship without the display of feelings and without complaint.
2.
an ancient Greek school of philosophy founded at Athens by Zeno of Citium. The school taught that virtue, the highest good, is based on knowledge; the wise live in harmony with the divine Reason (also identified with Fate and Providence) that governs nature, and are indifferent to the vicissitudes of fortune and to pleasure and pain.
A Stoic (one who practices Stoicism) still feels emotion. They still suffer and feel, they simply work to avoid showing it. I would have to think a bit harder about this, but off the top of my head, Uncle Iroh (Avatar The Last Airbender) is a good example of a character I would be willing to describe as Stoic.

He practices restraint and avoids overt emotional displays, but still very clearly "feels".

Iroh is visibly hurt when Zuko is being a shit. He gets angry, he feels down, but he doesn't let it hold him back. He is always looking forward.

Ok, I have a character in my story who is an angry person but they keep most of their anger inside. They really only direct their anger at one person who they view as annoying. In addition, they don't care about, for instance, how blue the sky is or how pretty the flowers are. I have been told that my story lacks description and I have also been told that I need to connect the descriptions to my characters. How can I do that with a character who doesn't care about those things?
This should be fairly simple. Make them curt in dialogue. When asked, "Nice weather today, isn't it?" Instead of giving an answer describe how they shrug in an irritated manner. If the person tries to continue the conversation, have this character go out of their way to close it down asap. Use statements that are borderline rude, and indicate that they aren't listening. "Is that so?", "Oh, that's nice.", "Glad to hear it!"

When interacting with the character they actually direct their anger at, broaden their statements and attach a few snide remarks. Dig at the character who annoys them. "Of course that's what you think.", "Could not have said it better myself.", "You would say that."

When showing this character's internal thoughts, there are a few possibilities. If they are supposed to be easily angered, use raw language. The sun is so damn hot. / The bees won't stone their incessant droning as usual. / The damned wind is going to make me lose my hat.

Another option would be for if this character is supposed to be highly practical. (Do they not care about the beauty of the flowers, because beauty is supposedly superfluous?) In this case, be very analytical. Have them notice things like how many flowers there are, what color they are, if there are bees around, but don't ever describe them using flowery language.
Next, how do I write reserve characters? In my story I have characters who are college professors. Now, when I was in college, I viewed my professors as being reserved and boring so that's pretty much how I write my characters. How can I keep their reservation and make them interesting at the same time?
In this case, there is a difference between being reserved, and being boring. Boring people exist in real life, but in fiction, you don't want to make characters boring unless your intention is for them to be bland and forgettable. Especially not when they are the main characters (I believe you are referring to Thomas and the ant stomping lizard here?) They are both college professors if I recall.

You can have them appear reserved by refraining from having them share their opinions unless they are asked to do so, or required to. And give them some things they are willing to go into great detail about. Thomas has his ants for instance. Lean into that and make him wax at length about the majesty of ants. But do your research and make sure he is correct, he is a college professor.

Like other users have pointed out, just because a character is reserved doesn't mean they don't have thoughts; they just don't share them as often.



These are only ideas, at the end of the day there are many ways of doing this. The best advice I could give is to look at other Stoic, Angry, and Reserved characters. See what other people have done that worked, and look at other people's failures.
 

LMStephens

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Don't confuse Stoicism with lack of emotion.

From Google:



A Stoic (one who practices Stoicism) still feels emotion. They still suffer and feel, they simply work to avoid showing it. I would have to think a bit harder about this, but off the top of my head, Uncle Iroh (Avatar The Last Airbender) is a good example of a character I would be willing to describe as Stoic.

He practices restraint and avoids overt emotional displays, but still very clearly "feels".

Iroh is visibly hurt when Zuko is being a shit. He gets angry, he feels down, but he doesn't let it hold him back. He is always looking forward.


This should be fairly simple. Make them curt in dialogue. When asked, "Nice weather today, isn't it?" Instead of giving an answer describe how they shrug in an irritated manner. If the person tries to continue the conversation, have this character go out of their way to close it down asap. Use statements that are borderline rude, and indicate that they aren't listening. "Is that so?", "Oh, that's nice.", "Glad to hear it!"

When interacting with the character they actually direct their anger at, broaden their statements and attach a few snide remarks. Dig at the character who annoys them. "Of course that's what you think.", "Could not have said it better myself.", "You would say that."

When showing this character's internal thoughts, there are a few possibilities. If they are supposed to be easily angered, use raw language. The sun is so damn hot. / The bees won't stone their incessant droning as usual. / The damned wind is going to make me lose my hat.

Another option would be for if this character is supposed to be highly practical. (Do they not care about the beauty of the flowers, because beauty is supposedly superfluous?) In this case, be very analytical. Have them notice things like how many flowers there are, what color they are, if there are bees around, but don't ever describe them using flowery language.

In this case, there is a difference between being reserved, and being boring. Boring people exist in real life, but in fiction, you don't want to make characters boring unless your intention is for them to be bland and forgettable. Especially not when they are the main characters (I believe you are referring to Thomas and the ant stomping lizard here?) They are both college professors if I recall.

You can have them appear reserved by refraining from having them share their opinions unless they are asked to do so, or required to. And give them some things they are willing to go into great detail about. Thomas has his ants for instance. Lean into that and make him wax at length about the majesty of ants. But do your research and make sure he is correct, he is a college professor.

Like other users have pointed out, just because a character is reserved doesn't mean they don't have thoughts; they just don't share them as often.



These are only ideas, at the end of the day there are many ways of doing this. The best advice I could give is to look at other Stoic, Angry, and Reserved characters. See what other people have done that worked, and look at other people's failures.
Thank you very much! Also, is it logical that Thomas would care about stuff like flowers and the sky because he likes animals which are a part of nature? Or could it be that he likes animals and not plant life or atomsphere?
 
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Thank you very much! Also, is it logical that Thomas would care about stuff like flowers and the sky because he likes animals which are a part of nature? Or could it be that he likes animals and not plant life or atomsphere?
It would depend. If Thomas is a naturalist, I would say he should like/care about/ be interested in everything. If he is a zoophilist, then just animals. He would likely appreciate plants in so far as they serve to feed animals, but wouldn't really look at them as anything more.
 

LMStephens

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It would depend. If Thomas is a naturalist, I would say he should like/care about/ be interested in everything. If he is a Zoophile (I can't think of the right word. Basically a Zoophile, minus the sex), then just animals. He would likely appreciate plants in so far as they serve to feed animals, but wouldn't really look at them as anything more.
Great. Thanks!
 

BlackKnightX

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I need some help. How do you write stoic and reserved characters?

Ok, I have a character in my story who is an angry person but they keep most of their anger inside. They really only direct their anger at one person who they view as annoying. In addition, they don't care about, for instance, how blue the sky is or how pretty the flowers are. I have been told that my story lacks description and I have also been told that I need to connect the descriptions to my characters. How can I do that with a character who doesn't care about those things?

Next, how do I write reserve characters? In my story I have characters who are college professors. Now, when I was in college, I viewed my professors as being reserved and boring so that's pretty much how I write my characters. How can I keep their reservation and make them interesting at the same time?
Appearance can be deceiving—some people may be reserved on the outside, but maybe they’re very analytical and constantly observing and analyzing anything around them.

How to make them interesting?

Like I said, appearance can be deceiving, so instead of focusing on the outside, focus on the inside instead—meaning: focus on the internal dialogue.

Maybe make them analytical, cynical, or maybe have anxiety of some kind. Focus on their thoughts. It’ll be fun that way.
 
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