Money Farm: The Art of Manipulation

Aijikan

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Imagine this: an underrated author pours his heart into crafting a novel. His writing quality, genre exploration, and character development are all exceptional, but he remains obscure due to unfortunate circumstances. Posting his work on a "pay-to-win" platform like RoyalRoad.com, he lacks the $55 necessary to advertise his novel. Instead, he writes purely for the love of storytelling and to entertain a small but loyal fanbase.

Now, enter a reader who stumbles upon this hidden gem. The novel’s positive reviews, ratings, and comments catch his attention, and soon he’s captivated by the story, recognizing it as a masterpiece. However, this reader isn’t just a fan—he’s a plagiarizer, someone skilled at capitalizing on others' work. Seeing the author’s lack of recognition, he devises a plan to plagiarize the novel, confident no one will notice.

He begins posting the novel on Webnovel, a platform with better reach and a larger audience. At first, the chapters attract little attention, but as the story progresses past the 20th chapter, it starts to gain momentum. Views skyrocket to over 50,000 per chapter(without any contract), and more than 1,000 readers regularly tune in. Before long, he hits a major milestone: 2,000 collections. With a backlog of chapters ready to go, he sets up a Patreon. Subscribers start rolling in, and within a month, he’s earning over $250 per month.

Meanwhile, the original author has stopped writing. His passion for storytelling has waned due to a lack of support. The plagiarizer seizes this opportunity and reaches out, pretending to be a devoted fan. He expresses admiration for the author’s work and a desire for more chapters, offering payment in return. For the author, who has never made money from his writing, the offer of $50 per month to write one chapter every two days seems like a good deal. Unaware of the plagiarizer’s true intentions, he accepts.

With a steady stream of new chapters, the plagiarizer updates his Patreon regularly. His earnings grow rapidly, reaching $780 per month in the second month. Feeling generous, he increases the author’s payment to $80 per month. As the workload of managing the Patreon grows, he decides to delegate some responsibilities. He hires a devoted fan to act as a moderator, offering $50 per month for the role. Thrilled by the chance to earn money and work with what he believes is his favorite author, the fan eagerly accepts.

As the Patreon community continues to expand, the plagiarizer hires another moderator and an editor to polish the chapters. He also increases the author’s payment again, creating a harmonious system. The moderators and editor genuinely believe they’re collaborating with a talented writer, while the author thinks he’s found a loyal supporter. All the while, the plagiarizer sits back, contributing nothing more than occasional instructions.

Within a few months, the plagiarizer’s Patreon transforms into a money-making machine, earning over $1,000 per month even after paying his small team. The author, moderators, and editor are all content, blissfully unaware of the greater scheme. Each party believes they’re benefiting, and in a way, they are. The author, who once struggled for recognition, now earns a consistent income. The moderators and editor are making money doing what they love.

And the plagiarizer? He’s successfully orchestrated a system where everyone gains—but he reaps the lion’s share. From an obscure novel, he’s built a profitable empire with minimal effort. He’s achieved status in the writing world, financial stability in real life, and a passive income stream that grows stronger by the day.

It’s hard to argue with the results. Sure, he took a morally gray route, but in doing so, he created opportunities for others. Without his intervention, the author might have faded into obscurity, and the fans might never have discovered a story they love.

This, perhaps, is the art of playing the game of life. It’s not just about effort—it’s about strategy, opportunity, and knowing how to turn circumstances in your favor.
 
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RedMuffin

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Idk, that's wrong but in your scenario (only) it kinda makes sense. That's actually a good plot for a romance story too.
35f563c28fb4bd049ccde155468e2295.jpg
 

owotrucked

Chronic lecher masquerading as a writer
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Things went wrong from the moment an organism realized that it was more profitable to eat someone else instead of photosynthesizing

People are just crops to be farmed
 

Ruti

Your toes are now forklift. Get licensed now!
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Can I get a TLDR?
Smol writer post novel on P2W site, get smol fans. Bad person copy and paste on big F2P, get chonk fans. smol writer stop, bad person pay smol to write for 50$. smol writer write continues, bad person make Patreon and make 500$. bad person hire other person so smol don't realize it scam. Smol writer poor, bad person rich
 

RepresentingWrath

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Smol writer post novel on P2W site, get smol fans. Bad person copy and paste on big F2P, get chonk fans. smol writer stop, bad person pay smol to write for 50$. smol writer write continues, bad person make Patreon and make 500$. bad person hire other person so smol don't realize it scam. Smol writer poor, bad person rich
Definetely sounds like an Envy's scheme since she is smol herself, but her head is BIIIIG.
 

RedMuffin

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Smol writer post novel on P2W site, get smol fans. Bad person copy and paste on big F2P, get chonk fans. smol writer stop, bad person pay smol to write for 50$. smol writer write continues, bad person make Patreon and make 500$. bad person hire other person so smol don't realize it scam. Smol writer poor, bad person rich
22e6184af284e3376f225ec2723e991b.jpg
 
Joined
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Nah, this is too detailed to be a scenario. Something like this probably happened in real life, but in a different context. The best I can compare this is someone translating foreign novels into English, fully taking advantage of the real authors.
 

CharlesEBrown

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Except they became established first, and went through the reject bins at their respective agent's places, this is pretty much how Tom Clancy and James Patterson maintained their high release rates once they were established - they hired the "promising but not there yet" authors to join their "stable" before publishing, worked with them, and gave them credit on the indica but not the book jacket.
 
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