Feedback on excerpt?

Lufli

Member
Joined
Jan 2, 2026
Messages
38
Points
18
Hello everyone.

I would really appreciate it if you took a moment to assess how captivating this excerpt is and if it could work as an opening. To simplify the process somewhat, please rate the excerpt 1 through 5, one being 'I'm not interested at all' and five being 'I would continue reading for sure'. A detailed breakdown as to why is optional (and appreciated).


It's only about 600 words.
On September 25, 1781, I died for the first time.

I met him, the Wise Man, almost by chance. His white hair refused the sunlight that spared not even the trees. And yet he was surely younger than I was.
I could not have spoken to him. I could not ask what I had meant to ask all my life. How could I have? How could I!

His very stance alone—his hair in the wind, that youthful and yet cunning face—was enough to rob me of speech. He noticed me before bending down with a knowing smile to pluck a white growth. Beside him stood half a tree, from which that pale growth hung down.

I should have asked him then. Precisely then, when my mouth refused to work. And even if I had? And even if I had known? Could I then have been any different from what I am?
“Do you know it? The lion’s mane mushroom?” the Wise Man began. He brushed the partly blackened tree he was crouching by. The white growth hung limply from it, short and spiny.

With all my strength, I managed only to shake my head, though I knew it well—that mushroom.

“A true impostor.” The Wise Man tilted his head. “It looks like an animal, but tastes like lobster. As though it doesn’t know what to do with itself.”

I know I will never forget that. By the holiness of this world and of the one who created it. Even as he passed me by, there where I could not bring myself to reveal what rests within me. Though I did not speak, I found in myself a full question instead of half of one.

With every step that carried him farther from me, his back seemed to grow larger.

“Hey! Stop daydreaming.”

“Leave me alone, leave me alone,” I answered the stranger.

“So doing nothing and still getting paid for it? The overseer won’t like that.”

“I am doing something. I’m dreaming, so leave me be.”

Offended, the young man turned away from me and muttered under his breath. At the same time, he dug his shovel into the brown earth.

“If I find it, it’ll be mine alone,” he said.

Meanwhile, I sat on the ground with one knee drawn up, my shovel resting beside me. In my daydream, I had unconsciously been counting the holes we had dug. “Two hundred and eighty-three, two hundred and eighty-four...”

Three days had already passed since my meeting with the Wise Man. My caretaker always used to say: Do not regret what you do. But now it has become clear to me that one far more often regrets what one does not do.

If only the sun had not been so hot that day, and the sky not so piercingly blue. My face wore no broad grin, and yet my brows sat higher than usual. Perhaps I might have found the courage to ask, to seek an answer, if only the sun had not been so arrestingly bright.

Behind all the dug holes stood a building. It was a half-timbered house with a thatched roof, and at its left end, a small tower rose upward. Along the path we too had taken to get here, a person was approaching us.

I truly did not want to work. So I lay down on my back and counted the clouds instead of the pits. What must it be like to be a cloud? Do they have goals, or names?
I still remember my last thought before I closed my eyes. Do I have a name?

When I opened them again, a childlike face was looking down at me. Its eyes were wide and searching, and in them I saw a pitiful reflection.

“Father is calling,” it said without blinking.

“Already?” I asked, turning my head away because of how close it was, then pushing myself up onto my backside.

“‘You are to rest today,’ Father said. His face was swollen.”

“That’s probably because he doesn’t work properly,” I said, gesturing toward the stranger resting beside me. He was drinking from his little glass bottle. In truth, I knew him; we had spent the last eighteen years under one roof.

“Funny. The overseer doesn’t miss things like that,” said my partner.
 

Rolanov

Kin-Slayer
Joined
Jan 22, 2026
Messages
198
Points
43
Hello everyone.

I would really appreciate it if you took a moment to assess how captivating this excerpt is and if it could work as an opening. To simplify the process somewhat, please rate the excerpt 1 through 5, one being 'I'm not interested at all' and five being 'I would continue reading for sure'. A detailed breakdown as to why is optional (and appreciated).


It's only about 600 words.
On September 25, 1781, I died for the first time.

I met him, the Wise Man, almost by chance. His white hair refused the sunlight that spared not even the trees. And yet he was surely younger than I was.
I could not have spoken to him. I could not ask what I had meant to ask all my life. How could I have? How could I!

His very stance alone—his hair in the wind, that youthful and yet cunning face—was enough to rob me of speech. He noticed me before bending down with a knowing smile to pluck a white growth. Beside him stood half a tree, from which that pale growth hung down.

I should have asked him then. Precisely then, when my mouth refused to work. And even if I had? And even if I had known? Could I then have been any different from what I am?
“Do you know it? The lion’s mane mushroom?” the Wise Man began. He brushed the partly blackened tree he was crouching by. The white growth hung limply from it, short and spiny.

With all my strength, I managed only to shake my head, though I knew it well—that mushroom.

“A true impostor.” The Wise Man tilted his head. “It looks like an animal, but tastes like lobster. As though it doesn’t know what to do with itself.”

I know I will never forget that. By the holiness of this world and of the one who created it. Even as he passed me by, there where I could not bring myself to reveal what rests within me. Though I did not speak, I found in myself a full question instead of half of one.

With every step that carried him farther from me, his back seemed to grow larger.

“Hey! Stop daydreaming.”

“Leave me alone, leave me alone,” I answered the stranger.

“So doing nothing and still getting paid for it? The overseer won’t like that.”

“I am doing something. I’m dreaming, so leave me be.”

Offended, the young man turned away from me and muttered under his breath. At the same time, he dug his shovel into the brown earth.

“If I find it, it’ll be mine alone,” he said.

Meanwhile, I sat on the ground with one knee drawn up, my shovel resting beside me. In my daydream, I had unconsciously been counting the holes we had dug. “Two hundred and eighty-three, two hundred and eighty-four...”

Three days had already passed since my meeting with the Wise Man. My caretaker always used to say: Do not regret what you do. But now it has become clear to me that one far more often regrets what one does not do.

If only the sun had not been so hot that day, and the sky not so piercingly blue. My face wore no broad grin, and yet my brows sat higher than usual. Perhaps I might have found the courage to ask, to seek an answer, if only the sun had not been so arrestingly bright.

Behind all the dug holes stood a building. It was a half-timbered house with a thatched roof, and at its left end, a small tower rose upward. Along the path we too had taken to get here, a person was approaching us.

I truly did not want to work. So I lay down on my back and counted the clouds instead of the pits. What must it be like to be a cloud? Do they have goals, or names?
I still remember my last thought before I closed my eyes. Do I have a name?

When I opened them again, a childlike face was looking down at me. Its eyes were wide and searching, and in them I saw a pitiful reflection.

“Father is calling,” it said without blinking.

“Already?” I asked, turning my head away because of how close it was, then pushing myself up onto my backside.

“‘You are to rest today,’ Father said. His face was swollen.”

“That’s probably because he doesn’t work properly,” I said, gesturing toward the stranger resting beside me. He was drinking from his little glass bottle. In truth, I knew him; we had spent the last eighteen years under one roof.

“Funny. The overseer doesn’t miss things like that,” said my partner.
To be honest, I don't understand the plot and the characters. The wise man, stranger, young man and 'IT'.
 

Eldoria

Well-known member
Joined
Jun 14, 2025
Messages
1,774
Points
113
I would really appreciate it if you took a moment to assess how captivating this excerpt is and if it could work as an opening. To simplify the process somewhat, please rate the excerpt 1 through 5, one being 'I'm not interested at all' and five being 'I would continue reading for sure'. A detailed breakdown as to why is optional (and appreciated).
Dude... this time I'm not judging your narrative quality objectively, I'm purely giving a preference assessment regarding the hook of the prologue piece.

This might be harsh... the rating is 1/5.

Reason: I'm confused about what this prologue is about? Why does the narrator say he's dead? Is he reincarnated and telling about his post-death experience?

The point is I'm confused... as a reader I won't bother reading a confusing story.

You have to connect emotions with your relatable characters and provide a coherent story to make me care about your fiction.
 

Lufli

Member
Joined
Jan 2, 2026
Messages
38
Points
18
Dude... this time I'm not judging your narrative quality objectively, I'm purely giving a preference assessment regarding the hook of the prologue piece.

This might be harsh... the rating is 1/5.

Reason: I'm confused about what this prologue is about? Why does the narrator say he's dead? Is he reincarnated and telling about his post-death experience?

The point is I'm confused... as a reader I won't bother reading a confusing story.

You have to connect emotions with your relatable characters and provide a coherent story to make me care about your fiction.
To be honest, I don't understand the plot and the characters. The wise man, stranger, young man and 'IT'.
Okay, that's fair. It will probably become clearer when more context is provided, but I don't want people to be put off before they even get that far.
 

Ellie_in_Pink

New member
Joined
Aug 2, 2025
Messages
11
Points
3
I'm sorry, I can't give a number rating because it wouldn't seem fair. But I can give you some tips to help shape this up into a proper intro. And I think most the initial work is needed in the first few lines

On September 25, 1781, I died for the first time.

Okay, interesting. As a reader, I am feeling the sensation of curiosity, which is good.

I met him, the Wise Man, almost by chance. His white hair refused the sunlight that spared not even the trees. And yet he was surely younger than I was.

But then you switch pace. You don't answer the question you've created with your opening line. (Died for the first time? How? And how are you alive?) And I get it. I think you are trying to create mystery for the reader. However, mystery is a game you play, and you have to follow the rules. Not answering the question that the protagonist has the answers for, and thus letting the mystery persist artificially doesn't feel authentic. It feels like a taller older kid holding up a hat out of our reach and telling us to reach for it. If the protagonist knows, we should know. Mystery comes from the protagonist not knowing the answer to the question. And it needs to be communicated clearly that this is the case.

Next, you are good at creating poetic prose. Your sentences are pretty. However, you aren't yet using them to create a scene. We don't know where we are, what the world looks like, who the protagonist is. We're just ... in an empty white space, and suddenly there's a young but old wise man in the white space, talking to the disembodied ghost that is our protagonist.

Third, you are trying to show not tell. I see the effort of you not trying to exposition dump. And I applaud you for it. You clearly have some principals down that you're working from. The trouble here is that you are not *showing* our protagonist either. And it is first person, you can't describe them yet, I get that. But you're not letting us inside. We don't know how the protagonist thinks or feels. So by the time we reach:

“Leave me alone, leave me alone,” I answered the stranger.

We're completely dumbfounded as to the reason for this response. Think of it as ... playing a first person adventure game. The reason hands and UI and the weapon hovering in front of the screen are done, is to make us feel like we are inhabiting an actual body that takes up presence in the game world. Here, we have none of that. Just a disembodied voice coming from somewhere.

Now, for my advice.

I think *you* need to have a solid idea of what is happening in your scene so that it feels more tangible. My recommendation would be to rewrite this intro from a third-person perspective (he did this, she did that, they thought this). Not to keep (unless you want to). But because I think it would flesh out the scene and help you see all the things that the audience is missing. Then you'll be able to go back into first person and rewrite the intro in a way that is intuitive to readers.

I hope that helps!
Best of luck.
 

Lufli

Member
Joined
Jan 2, 2026
Messages
38
Points
18
I'm sorry, I can't give a number rating because it wouldn't seem fair. But I can give you some tips to help shape this up into a proper intro. And I think most the initial work is needed in the first few lines



Okay, interesting. As a reader, I am feeling the sensation of curiosity, which is good.



But then you switch pace. You don't answer the question you've created with your opening line. (Died for the first time? How? And how are you alive?) And I get it. I think you are trying to create mystery for the reader. However, mystery is a game you play, and you have to follow the rules. Not answering the question that the protagonist has the answers for, and thus letting the mystery persist artificially doesn't feel authentic. It feels like a taller older kid holding up a hat out of our reach and telling us to reach for it. If the protagonist knows, we should know. Mystery comes from the protagonist not knowing the answer to the question. And it needs to be communicated clearly that this is the case.

Next, you are good at creating poetic prose. Your sentences are pretty. However, you aren't yet using them to create a scene. We don't know where we are, what the world looks like, who the protagonist is. We're just ... in an empty white space, and suddenly there's a young but old wise man in the white space, talking to the disembodied ghost that is our protagonist.

Third, you are trying to show not tell. I see the effort of you not trying to exposition dump. And I applaud you for it. You clearly have some principals down that you're working from. The trouble here is that you are not *showing* our protagonist either. And it is first person, you can't describe them yet, I get that. But you're not letting us inside. We don't know how the protagonist thinks or feels. So by the time we reach:



We're completely dumbfounded as to the reason for this response. Think of it as ... playing a first person adventure game. The reason hands and UI and the weapon hovering in front of the screen are done, is to make us feel like we are inhabiting an actual body that takes up presence in the game world. Here, we have none of that. Just a disembodied voice coming from somewhere.

Now, for my advice.

I think *you* need to have a solid idea of what is happening in your scene so that it feels more tangible. My recommendation would be to rewrite this intro from a third-person perspective (he did this, she did that, they thought this). Not to keep (unless you want to). But because I think it would flesh out the scene and help you see all the things that the audience is missing. Then you'll be able to go back into first person and rewrite the intro in a way that is intuitive to readers.

I hope that helps!
Best of luck.
Wow, this is really helpful. Thank you very much, especially for explaining everything so clearly.

The opening with the Wise Man is supposed to feel dreamlike, something real, that doesn't feel fully real, which is why it lacks environmental detail. Right after that, I was planning to introduce the MC and his life, providing more context and detail, which I’ve actually already started to do with the “stranger” part.

How should I generally approach this to make it work?
 

Ellie_in_Pink

New member
Joined
Aug 2, 2025
Messages
11
Points
3
Wow, this is really helpful. Thank you very much, especially for explaining everything so clearly.

The opening with the Wise Man is supposed to feel dreamlike, something real, that doesn't feel fully real, which is why it lacks environmental detail. Right after that, I was planning to introduce the MC and his life, providing more context and detail, which I’ve actually already started to do with the “stranger” part.

How should I generally approach this to make it work?
No worries. If you want it to be dreamlike, you should signal that it is intentional. Signal that the narrator isn't fully "conscious" or whatever the case may be.

"I ... wasn't sure where I was ... or how I'd gotten here. Everything around me seemed to be floating.

Out of focus.

Until I notice a figure take space in the empty whiteness."

Something like that. Make it look intentional. And use pacing, short sentences, long pauses, to convey a floating feeling and disjointed thoughts. Again, I think if you write it out in third person, to explain to yourself exactly what the dreamlike is like for the character, then signaling it in first person will become much easier.
 
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