Dump in a sense. A d20 battle system for writing.

Notadate

Well-known member
Joined
Oct 28, 2022
Messages
987
Points
133
Pretty much working on this. I never done a combat system for writing, but done an exploration system, well, half of one. Here is a info dump.
B39B98B7-75BC-4230-B713-C47500E0317C.jpeg


9B133047-3044-4826-BACF-4D07118E1DDF.jpeg

I made it off for more a roleplay sense. So no hard rules. Just acts and reactions, a d20 is optional. The d20 was just added in for spice of chance. This is fairly how I think of combat. Actions and then reactions.
-
Also ignore the top part of page 1. I use that place for my notes.
 

Tempokai

The Overworked One
Joined
Nov 16, 2021
Messages
1,397
Points
153
New chat

Write an excessive system of using d20 for writing combat scenes for a fantasy novel where you don't have a numbers to work with.

2 / 2

Sure, here's an excessive system for using d20 to write combat scenes for a fantasy novel:

Determine the Difficulty Class (DC) of the action the character wants to take. The DC is based on the difficulty of the action, such as the skill of the opponent, the complexity of the maneuver, or the condition of the character.

The character rolls a d20 to determine their success. If the roll is equal to or greater than the DC, the action is successful. If the roll is less than the DC, the action fails.

The success or failure of the action is described in a dramatic and vivid way, using detailed language to convey the action and its effects.

Depending on the action, the character may have a bonus or penalty to their roll. For example, if the character is attempting to strike an enemy in a vulnerable spot, they may have a bonus to their attack roll.

Critical hits and critical failures are determined by rolling a natural 20 or a natural 1, respectively. If the character rolls a natural 20, they deal extra damage or have some other bonus effect. If the character rolls a natural 1, they may suffer a penalty or negative consequence.

Characters may have various abilities, spells, or items that grant them additional options or bonuses in combat. These abilities can be represented by rolling multiple d20s, choosing the highest or lowest roll, or adding a bonus to the roll.

The narrator may occasionally roll a d20 to determine the outcome of a random event, such as the arrival of a reinforcement or the appearance of a hidden trap.

The combat scene is described in a dynamic and exciting way, using a combination of the characters' actions, the environment, and the enemies' reactions to create tension and suspense.

The outcome of the combat is determined by the characters' actions and rolls, as well as the overall narrative needs of the story. Even if a character rolls poorly, the narrator may choose to have them succeed or fail based on the needs of the plot.

After the combat scene is complete, the characters' wounds and injuries are described, as well as any loot or rewards they may have acquired. The combat may also have lasting consequences, such as changing the characters' relationships or impacting the overall story arc.

And now write an example. The roll and the resistance are in () to not interrupt the story.

2 / 2

!

Sure, here's an example of using the d20 system in a combat scene for a fantasy novel: The orc charged at Sir Gareth, brandishing his massive axe. Sir Gareth readied his shield and sword, preparing to defend himself. The orc swung his axe with all his might, aiming for Sir Gareth's head. (Orc attack roll: 17, Sir Gareth defense DC: 15) Sir Gareth blocked the attack with his shield, deflecting the blow and pushing the orc back. He then followed up with a quick strike, aiming for the orc's arm. (Sir Gareth attack roll: 12, Orc defense DC: 14) The orc dodged the attack and swung his axe again, this time aiming for Sir Gareth's legs. (Orc attack roll: 9, Sir Gareth defense DC: 17) Sir Gareth jumped over the swing and countered with a swift strike to the orc's torso. (Sir Gareth attack roll: 19, Orc defense DC: 12) The strike landed true, causing the orc to stumble backwards. Sir Gareth pressed his advantage and struck again, this time aiming for the orc's head. (Sir Gareth attack roll: 8, Orc defense DC: 16) The orc raised his axe to block the attack, but Sir Gareth was too quick. He sidestepped the block and landed a solid blow to the orc's side. (Sir Gareth attack roll: 18, Orc defense DC: 11) The orc grunted in pain and swung his axe wildly, trying to hit Sir Gareth with a desperate attack. (Orc attack roll: 4, Sir Gareth defense DC: 19) Sir Gareth easily dodged the swing and brought his sword down, cleaving the orc's arm off at the elbow. (Sir Gareth attack roll: 16, Orc defense DC: 9) The orc fell to the ground, screaming in agony. Sir Gareth stood over him, ready to strike the final blow. But then, he hesitated. He looked at the wounded orc, and for a moment, he saw something in its eyes. Was it fear? Regret? He couldn't be sure. (Narrator roll: 14) Sir Gareth lowered his sword and stepped back. The orc looked up at him, confused and bewildered. Sir Gareth sheathed his sword and turned away, leaving the orc to its fate. The battle was won, but at what cost?

ChatGPT.
 

RepresentingCaution

Level 37 ? ? Pronouns: she/whore ♀
Joined
Apr 15, 2020
Messages
9,789
Points
233
My tts plugin doesn't read images, and my eyes are tired from watching my kid, so I'm not reading that.
 

RepresentingCaution

Level 37 ? ? Pronouns: she/whore ♀
Joined
Apr 15, 2020
Messages
9,789
Points
233
I would never thought you would have kids. Shocking.
That's also what I thought after I took a human development course in my early twenties. Then, many years later, I realized that if anyone should have kids, it should be me. Most people don't put as much thought into parenting as I have. Seriously though, having kids should require a license.
 
Top